I play only classical music. My pianos are my only big indulgence, but they're a necessity. When I'm playing the piano is literally the only time I can be completely abstract and disconnected from the regular world and yet be connected - to my music.
Like many men who play tennis, when I hit a ball into the net, I tend to look daggers at my racket, reproaching it for playing so badly when I myself have been trying so hard.
Colonel Kilgore: [Explaining why the helicopters play music during air assaults] We use Wagner. It scares the shit out of the slopes. My boys love it!
Dr. Alexander Peabody: Dr. Huxley, when I play golf, I only talk golf - and then only between shots.
I've been playing golf as long as I've been dancing, since I was 13 or 14. I play off six. I like to get out on a golf course as often as I can.
I play guitar a bit. I'm trying to learn drums - I feel like I can play violin. I've never tried, but I just feel like I can.
I still play that guitar. It's a Martin D-18 with a clear pick guard. I've played that guitar on and off my TV shows for nearly 50 years.
I'm not that fluid when it comes to scales and modes. I just pick up the guitar and play. It's all about exploration: just tune the guitar any way you want and start playing.
Equally, though, there are guys who play England Under 19 who don't even play First Class cricket. It is a watershed in the careers in many ways.
I think the musicians I play with solo do a certain thing that the musicians we play with with the Indigo Girls don't do. It's just a different thing. And it sort of steers my writing in some ways.
The fact of the matter is that an actor, if I'm playing a performance capture role and you're playing a live action role and we're having a scene together, there's no difference in our acting processes.
I think people need to understand that with plays and with cinema, when you hear about it, call and get a ticket then or go and see it then. It's especially with the play, which I can do because it's a limited run.
I suddenly realized that comedy, for me, was just being honest, and playing it for real. I've seen so many wonderful actors who turn into creatures from another planet when they're told they are supposed to be playing comedy.
I tend to get comfortable with the dialogue and find out who the person is in the script and try to hit that. People are sort of independent of their occupations and their pastimes. You don't play a politician or a fireman or a cowboy - you just play...
I think I must be the only British actor who's played both Stalin and Trotsky. I need to play Lenin so I can make it a triptych.
If you're feeling discouraged and defeated—don't quit. Play on, hope on, and move forward. The music you play—even in the midst of incredible darkness—can and will turn the tide of your own battles.
What you think of yourself will shape your future. Life is too short to play it small. Play the life of an influencer and impacter, rather than that of a follower and mediocre.
'Badmaash Company' and 'Delhi Belly' was about friends, and I was part of the gang. And yes, they did have stars playing the lead! You do need a star to sell a film; and playing the second lead doesn't bother me.
Over the years, I've had to learn to play. For example, when 'Lennon' was on Broadway, I learned my way around the guitar chords because originally we were all going to play the instruments without a band.
You never really know baseball until you put on a pair of cleats and get out and play it; and if you play for five years, you still don't really know what it's about.
'The Fever' is a one-person play. I decided I would perform it myself, and I decided I would not perform it in theaters, because the character in the play says certain things that I meant.
