The thing about playing gods, whether you're playing Thor and Loki or Greco Roman gods or Indian gods or characters in any mythology, the reason that gods were invented was because they were basically larger versions of ourselves.
Most gods throw dice, but Fate plays chess, and you don't find out til too late that he's been playing with two queens all along.
I mean, people don't know what race I am. They never know if I'm Hawaiian or Italian or Mexican or Spanish or white. I could play Jewish, I could play anything.
Why should I write a play? I don't have to write a play, do I? But somehow, I think that's what I'm here for, so I'd better do it.
He took me under his wing when I first came to the Rams and taught me everything - his technique in the pass rush, how to play off blockers, and how to make the big play.
I've played every instrument you could possibly think of for 10 minutes. So I'm mediocre at everything. I can play drums, guitar, piano, violin, saxophone, clarinet, flute... Just not well.
If you go to Japan for instance, you should know that they have a different way of playing Beethoven or Brahms. But if you play with them Mozart, Debussy, Mendelssohn, they have a wonderful light feeling for that.
Once you get on the playing field it's not about whether you're liked or not liked. All that matters is to play at a high level and do whatever it takes to help your team win. That's what it's about.
I don't know if I am cut out to playing a bad character or not - I really should give it a shot. I would like to play the voice of a baddie, but that's really just a cop-out!
I'm really just playing when I write. I feel like I'm a kid again. I want my characters to do and say things like when I played with dolls!
When I was a kid in Michigan, I used to play ball with a town team on Sunday. Of course, I'd go to church first. Played the church organ, as a matter of fact.
I pay attention to the sun. I've worn sunglasses while I play, for years, and apply sunscreen. No matter where I'm playing, there's a rain suit in my bag, too.
When 'Play' first came out, journalists didn't review it; it didn't get radio play. And then it became this big successful record and, I hate to admit this, I found myself liking the fame. I bought into it.
I guess I really always wanted to act. When I was seven, I actually had the opportunity to come out to California. I've always really loved playing a part, playing a character and being someone else.
The thing is, playing with us, whoever was the left winger had to come to play every night because that's the way it was. Charlie came in and he just fit that role - big and strong around the net.
To play someone when the character masks their own emotions, doesn't understand their own emotions, has no release for their own emotions, and yet is full of emotion - that is a much harder character to play than someone who has somewhere to put it.
If you look a little punkish, then they're going to give you the parts. And if you play an iconic villain early on in your career, you tend to get asked to play one over and over and over again.
I learned when I started to study piano that I could play by ear. I could hear a song on the radio a couple of times and hear the song and the lyrics and sing it for you after a couple of plays.
I auditioned for 'West Side Story' and got the part of Tony, but wasn't allowed to do it. They needed me to play trumpet. But I was glad, in the end, because I learned a lot about playing that score.
I've always loved the guitar. You see Jimi Hendrix playing the guitar with his teeth, and OK, you know you're never going to be able to do that, but I always wanted to play an instrument of some sort.
I am a very conscientious golfer. I count every stroke. I learned to play that way. That is the only way I can play. It taught me to be honest. There is no greater virtue than honesty.
