I worked with my son when he was much younger; we did L.A. Law together, where I played his father and he played a kid who was suing his father for alienation of affection or something. It was great.
I have a background in theater. At the time I read 'The Loved Ones' script, I was playing Catherine the Great of Russia onstage. Straight after that, I played Stella in 'A Streetcar Named Desire' and Isabella in 'Measure for Measure.'
You could argue that if the average golfer plays a golf course with 430-yard par 4s and they always miss the green, that's good practice. It's definitely great practice to play a course that's too long for you.
I've always believed as a value that the government has a vital - not overwhelming, but vital - role to play in furthering human welfare and good. I think we have an important supportive role to play, hopefully intelligent and sensible.
We never considered ourselves to be a good band or anything, we just thought we were playing for fun and we wanted to play music that sounded like Black Sabbath or Soundgarden or the music we were into at that time.
John Huston was a superb master. He knew how to make good films. I did three things with him. One is called Independence. It plays in Philadelphia, for free. It's been playing there for 25 years.
I don't care how good you play, you can find somebody who can beat you, and I don't care how bad you play, you can find somebody you can beat.
I was a very good baseball and football player, but my father always told me I was much more interested in how I looked playing baseball or football than in actually playing. There's great truth in that.
It's good to be playing one and a half hour again. In the States we played like an hour and when you got onstage it felt like all of a sudden you are already done your set. But now, it feels like we are touring again.
When I go out to play, I still believe I'm as good as anyone out there. I don't have to prove anyone wrong. I know what I've done and how well I can play.
When I got to New York City when I was 18, I started playing in clubs in Brooklyn - I have good friends and devoted fans on the underground scene, but we were playing for each other at that point - and that was it.
I was pretty much prepared because I was already playing in extremely good ways when I arrived from Europe because I played jazz four or five years before I arrived here.
If you let the plot be determined by what you feel is in the character's mind at that point, it may not turn out to be a very good play, but at least it will be a play where people are behaving in a kind of truthful way.
The thing is, it's not good anyway for eight-year-olds to be out there playing tennis tournaments so soon in their lives. But when I did get to play in a tournament, when I was nine, I was overjoyed.
I would love to play 'Funny Girl' or 'Evita,' but I idolize the women who have played those parts. I don't know if there needs to be another version of those shows.
It's funny when you know you're playing two characters and you're aware of how you have to play each one into your performance of the other. You're constantly at the back of your mind thinking and it all gets a bit confusing.
Whether the angels play only Bach praising God, I am not quite sure. I am sure, however, that en famille they play Mozart.
Unless you're flat out dead, you have to think of some other questions like: what's on the other side? It brings up issues of God, or no God. How does he play into this? Or he, or she, or it? How does it all play into this?
Why do we have a brain in the first place? Not to write books, articles, or plays; not to do science or play music. Brains develop because they are an expedient way of managing life in a body.
I've never taken a lesson in my life, and I can play every instrument there is. I play by ear, but I can fool anybody into thinking I went to some conservatory of music.
I know I get a real kick, an emotional charge, out of playing a song I haven't played for 10 years. It just takes you back to that point in your life.
