teenagers are never joking. when seeking to prove a point, principals and teachers should remember that teenagers are never, ever sarcasic or ironic. if they say "I wish someone would drop a bomb on this school right now," that means they have arrang...
...pretty much everyone hates high school. It's a measure of your humanity, I suspect. If you enjoyed high school, you were probably a psychopath or a cheerleader. Or possibly both. Those things aren't mutually exclusive, you know. I've tried to bloc...
[On hearing that 86% of gay teens have experienced harassment] Eighty-six percent? Eighty-six per-fuckin-cent WERE harassed?! That means fourteen per-fuckin-cent WEREN'T harassed? WHAT?! At MY school a hundred percent of the children - gay, straight,...
When parents or gamers ask me, 'What's the best game to play?' I say that playing face-to-face is more beneficial than playing online.
What I think I've been able to do well over the years is play with pain, play with problems, play in all sorts of conditions.
I grew up in Michigan, so I played hockey, football and basketball. I played a little bit of lacrosse, too. My brother played more lacrosse and ran track.
I think the way I play the guitar is very percussive. I play a lot of rhythm chops as though I were playing congas or something.
When you play against top players, sometimes you can play - you can play your utmost and you still get beat.
I'm to a point now where you want to play for your fans and all that, but I'm playing for the guys in that huddle. I'm playing for the guys in that locker room.
The first play I wrote was called 'Twenty-five.' It was played by our company in Dublin and London, and was adapted and translated into Irish and played in America.
The first job I got was this TV job in this show called 'The Unusuals.' Then I did a play called 'Slipping,' and at the same time I was rehearsing another play at Playwrights Horizons, and that kind of snowballed into a bunch of plays.
I think the best comedic actors don't play it for comedy, they play it for reality. Then you find it funny because it's real. Playing the genre is the worst thing you can do - it's embarrassing.
I played in Europe and it was a great experience, not just because of my team-mates and the coaches we had, but from the fans and the city itself - I played in Gothenburg and I played in Lyon and soccer was everywhere.
I like to play cards. I'm not very good, because I don't want to calculate, I just play by instinct. But I've learned a lot of business philosophy by playing poker.
Also for me it was different because I play a lot of villains and in this one I play a dad and I play a good guy, basically. He's the Secretary of the Treasury. I never had a job like that.
Macbeth is a very popular play with audiences. If you want to sell out a theater, just mount a production of Macbeth. It's a short play, it's an exciting play, it's easy to understand, and it attracts great acting.
I played with a lot of great players before. They're all the same. They take a lot of responsibility for their own play, put a lot of pressure on themselves to perform and to play well.
Here I was, this good guy that played football; I was gonna go play in college but I had a bad senior year. But I played guitar in assemblies whenever I could.
When I was real young I wanted to play baseball. I really loved playing center field, but that was never anything I was really ever that good at. I played up until I was in ninth grade.
I grew up playing golf, and if I were ever good enough to play professionally, I would get to travel the world while playing a sport I love.
I play- it's kind of like a slice-of-life, LA women in their forties, playing forty kind of what's their friendship like, and what's their life like and so I just play one of the four friends.
