[Scene of a beach at sunset] Vincent: [narrating] I was conceived in the Riviera. [Camera pans down to reveal Vincent's parents beginning to make love in the back of a Buick Riviera parked by the beach] Vincent: Not the French Riviera, the Detroit va...
[first lines] Man 1: [voiceover] Quiet on the set. Woman: [voiceover] OK, everybody, quiet on the set. Man 2: [voiceover] Scene 1, take 10. Marker. Man 1: [voiceover] And - action!
[filming a scene with a microphone hidden in a bush] Rosco: Lina! We're missing every other word! You've got to talk into the mike! Lina: [pointing at the bush] Well, I can't make love to a bush!
V: [Quoting Viola from Twelfth Night Act I Scene 2] Conceal me what I am, and be my aid For such disguise as haply shall become The form of my intent.
I think if there was no violence in our world, there would be no violence in film. Violence is a part of human nature, and obviously it's a troublesome part of human nature. You always have responsibilities when you portray violence in what angle you...
All trembling, I reached the Falls of Niagara, and oh, what a scene! My blood shudders still, although I am not a coward, at the grandeur of the Creator's power; and I gazed motionless on this new display of the irresistible force of one of His eleme...
Even when I'm reading a script where I'm supposed to be looking at the lead role, I'll find myself gravitating toward some small weirdo in a few scenes instead. I'm very instinctive like that and I love the challenge of not having a lot of time to cr...
'Love' has that Kubrick tonality to it, but this is not a Stanley Kubrick movie - there will never be another. At the same time, 'Love' has a modern feel. For example: In one scene, these astronauts go through a wormhole sequence, and you feel like y...
Performing on stage is my first love - it's why I wanted to be an actor in the first place - and 'Arcadia' is the highlight of my career so far. I love the intimacy of a live theatre audience - you can really squeeze every last drop out of each scene...
For me, playing music while I write is important. Several of the romantic scenes in 'Paris' were written with Debussy's 'String Quartet,' his 'L'Apres-midi d'une Faune,' or Canteloube's 'Songs of the Auvergne' playing in the background.
When I was a kid in the mid-'60s, I was what's known as a moddie boy, a prototype skinhead. You all had your hair like a crew cut, cropped, with suits or Levis with red suspenders, sometimes Doc Martens. It was a thriving soul music, Motown and ska s...
Of course there are some actors that are better than others and performances that are better than others, but they're always embedded in the greater film. They are mediated through the work of so many other people: the director directs, the lighter s...
The Taliban's acts of cultural vandalism - the most infamous being the destruction of the giant Bamiyan Buddhas - had a devastating effect on Afghan culture and the artistic scene. The Taliban burned countless films, VCRs, music tapes, books, and pai...
I've found that when I'm having trouble solidifying a character or a scene, that music will often free my subconscious just that last little bit to allow me to move forward, and often it's in a direction that I didn't expect, but is 100 percent true ...
Before this country came on the scene, for thousands of years people did things the same way. Within 200 years of the advent of this nation, men were walking on the moon, and I want us to recognize this is the kind of people that we are. We're creati...
No, 'F/X 2' was a job. I enjoyed doing it but that was definitely a job. I wrote that, I didn't direct it but 'Candyman' and the earlier horror movies I made, I was completely into horror and suspense and always have been. It's informed everything I'...
I actually watched 'Lord of the Rings' right when it came out, so maybe 2001 or 2002 or whenever that was. But I watched those movies, and I ended up loving them so much that I found every behind-the-scenes feature and every sort of 'making-of' clip ...
Before I'd written movies, I never could do big set-piece scenes with a lot of different speakers - when you've got twelve people around a dinner table talking at cross purposes. I had always been impressed by other people's ability to do that.
Narrator: Amélie still seeks solitude. She amuses herself with silly questions about the world below, such as "How many people are having an orgasm right now?" [scenes of various orgasms taking place] Amélie: Fifteen.
Riggan: [waiting for his cue during Mike's scene] He's good, huh? Annie: He's incredible. I think he's drinking real gin.
I don't like improvising on camera, particularly, but very often, a scene will not be working, and you rehearse it once or twice, and you realize something's missing. So I'll play with it until it makes sense.
