I've been in scenes with my brother where I've been absolutely emotionally terrified to go somewhere. But because he's my brother, I feel safe.
No more bare bodies in film scenes for me. For my children's sake, I must stop. The other kids at school keep throwing it up to my children, and they are not kind.
My characters have to talk, or they're out. They audition in early scenes. If they can't talk, they're given less to do, or thrown out.
Practicing going over scenes and in front of the camera just to see how that feels, and then ultimately just finding a way to expose yourself to people. That's what I did.
I'll find myself having dinner with people and someone will mention something and I will say I was in that situation once. Then I'll say, forget it, it was a scene I was in. That can get to be quite confusing.
Once the state has been founded, there can no longer be any heroes. They come on the scene only in uncivilized conditions.
I think there's a natural system in your own head about how much violence the scene warrants. It's not an intellectual process, it's an instinctive process.
Usually when I read something, first of all I'm looking for the story and then when I reread it, I'm sort of checking every part of it to see if every scene is necessary.
I don't believe in myths of decline or myths of progress, even as regards the literary scene.
If you think you are beautiful in a scene, you will come across as beautiful. I don't think looks are important; I think what's important is if someone is sexy.
In films, the fact that you can always do a scene again takes a load off your mind, enabling you to strive for perfection, which I always wanted.
Going out on a stage publicly and not knowing how people are going to react to you - once I experienced that, it made me feel much more comfortable about going into a scene.
With most of my books, I'll actually go out and look at the setting. If you describe things carefully, it kind of makes the scene pop.
You have to examine a scene on the page first. Then you get into the basics of acting: Who are you? Who are you talking to? How do you feel about that person?
When I first hit the scene, it was just a lot of go, go, go, go, go. I have a lot of natural energy anyway, but it was over the top.
My background with Cummings was rehearse, rehearse, rehearse, but Tuesday liked to walk in and do the scene. I must say that she was really wonderful. Aggravating, but wonderful.
I don't see a candidate on the scene right now, but it is going to have to be a candidate that people can look at as a leader and not as a man or a woman.
I feel like L.A. is more of a showcase, and Chicago is a pure comedy scene where you're doing comedy for comedy. You're doing comedy actually for the audience that's there.
One of the mistakes I made was believing that the rock n' roll genre as a genre was much more free than the whole pop or R&B scene.
While it's true that Washington would benefit from more civility, the Senate, behind the scenes, is an extraordinarily collegial institution.
My asset looked more dead than alive – which, given that he was dead, lent the scene a certain credibility. – [context classified]
