Obviously, 'Lincoln' is not about the telegraph operator. There's a whole other movie before and after the two isolated scenes that I'm in.
As far as behind the scenes, I absolutely want to get into making my own films and producing my own things.
It does get strange when you realize people will hang around for hours to get a glimpse of you doing scenes outside.
I don't believe moviegoers don't have patience. Screenwriters are told a scene can't be longer than three minutes, that you have to cut to the chase. Not true!
În spatele oricărei scene extraordinare de luptă stă un coregraf extraordinar care transcende dincolo de orice înţelegere şi exuberanţă!
When you're in that scene, you really wonder if this is all you're ever going to be. You know how vile and filthy you are inside.
I've always felt that I was a bit of an outsider to the British children's-book illustration scene, because I don't work in line and wash.
I do admit to being challenging, but it's always for the work, it's never personal. I will walk out on a scene if it's all lit and ready to go but it's not happening.
The logic of collective security is flawless, provided it can be made to work under the conditions prevailing on the international scene... The odds, however, are strongly against such a possibility.
My eyes don't work, at least not fully, because they are blocked by disease. The scene around me appears through a kind of curtain, a haze.
I just never want to be in this situation where I get to set and they're like, 'We rewrote this scene, you're now naked.' I need a little prep work.
... luckily, Eden is soon populated. The ethical dimension begins when the other appears on the scene.
Too many actors try to get too much out of scenes that they ought to be leaving alone, just doing them quickly and getting the hell out.
'Lassie' was amazing. I didn't have any scenes with humans. There's a couple little bits, here or there, but mainly just me and my horse and a couple of dogs in the Isle of Man.
a story always sounds clear enough at a distance, but the nearer you get to the scene of events the vaguer it becomes.
If I have freedom to experiment with a scene, then I try my best to do that. With TV and with the variety of directors you have on a season, you rarely get that opportunity. It's more structured.
When we are in pre-production, this is the best job in the world. Working 10 to 7, sitting around and brainstorming with the other writers, making things funnier and writing and rewriting scenes - that's as fun as it gets.
When you suddenly appear on the scene and you are the new face, everything centers on you. I experienced this in my mid-20s and I found it rather hard.
Once there are more African Americans and Asian Americans behind the scenes as producers, writers, and directors, I think more inclusive casting will happen.
I hate when you see a film and after one scene you know what's going to happen and you can predict the whole story.
Actually, I didn't like Dartmouth very much, but the whole theater scene I really liked.
