I really loved 'Fast Five.' I thought it was a brilliant movie. I thought it was so well done, well directed. The action sequences were really well thought out. It looked fantastic.
I was living in Evanston, Illinois and I was taking theater classes down the street, and our theater school was kind of affiliated with an agency, and so I went on one audition for whatever that movie was, 'My Stepmother is an Alien' or whatever it w...
I'm Italian and Spanish and Jewish. I'm 100 different things meshed into one. I think that shows girls that uniqueness is beautiful. They can look at me on a magazine cover and see me in a movie and say that they have someone they can relate to.
I can't do anything I want to. I mean, I can't have my own TV show. I can't have my own movie. But within my little world, nobody tells me what to put on the albums.
I did nine months in 'Mrs. Klein' in New York, then four months on the road. Then I did a movie directed by Philip Haas, who did 'Angels & Insects'. We shot 'The Blood Oranges' in Mexico for six weeks.
You're the guy who saves up his pennies to take me to a movie," she said, shaking her head as the truth of it came home to her. "I buy the popcorn. Large, of course, because I'm rich.
If you've really loved a book, or a movie for that matter, really loved it, what you want is that same book again, but as if you've never read it. And when you get something unfamiliar, you feel betrayed.
Every now and then you get a nice Jewish kid who likes black people and they would come in, and it would be a stream of them, and have black friends and really feel the black struggle on the acting tip and it's a reason why all of us are not dying in...
Because I wanted to have a place that I could create everything that I that I never had as a child. So, you see rides. You see animals. There's a movie theater.
When a child reaches puberty, parents become so curious about their sex lives and whereabouts, put them behind bars to their own detriment. When such a child breaks free, don't be surprised to see him/her in porn movies.
Somehow, someway, you get kind of labeled this guy who was in a Freddie Prinze Jr. movie too many. And Freddie Prinze Jr. - it's not his fault, either - it's just these are the things that happen. I'm not a George Clooney; I don't have a ton of oppor...
I grew up believing that one person could make a difference. In Indiana, you saw that with basketball. The small town could beat the big town, like in the movie 'Hoosiers.' That is one of the things that attracts me to entrepreneurs.
I have a lot of brothers and sisters, and each movie has helped pay for tuition. And then I was like, I only have one left in college, so why am I doing this? But now I want to go back to Italy and live on a farm in Tuscany.
Four months after we finished shooting, I'd been in New Orleans shooting another movie and my agent and I were having a bite to eat - actually in London - and he's sitting there and goes, 'Wow, I just can't believe how ripped you are.'
Fundamentally, I always find that most of the films that I've put out are essentially the director's cut. Part of the process with a director's cut is the leaving behind of certain aspects of the movie that we don't feel necessary because they aren't...
I realized that I'm a soft person. I think I'm sensitive. I wanted very much to be tough and I think movie stars have a certain kind of resilience and toughness to them, but I'm quite a sensitive young lady in some respects.
In the studios days, the public's perception of movie stars was much different, because the stars were so much less exposed. This made them seem more special, more unearthly. Today they're no longer perceived as different - they've become human, so t...
I don't enjoy the boo scare when you're watching a movie and then suddenly there's a big shark on the screen. The only thing they're doing is catching you off guard.
An action movie should, like any other, follow the narrative traditions of literature. That means there should be subtlety, a slow build and a gradual bringing together of all the separate threads of the plot. To see all of it coming together slowly ...
I think about the audience in the sense that I serve as my own audience. I have to please myself the way, if I saw the movie in a theater, I would be pleased. Do I think about catering to an audience? No.
I never set out to make a movie that was everything to everybody; if that were the case, we could all just take a picture of a tree and agree that the tree is beautiful and move on with our lives. I wouldn't even need to show up.
