I knew 'Mars Needs Moms! ' would be a movie seconds after the title came to mind. Similarly, I also knew that my daughter would be calling me a dork as a default term of endearment eventually.
There's so many things that can go wrong in the execution of a project like a television show or a movie, so many little elements, any number of things, all the way to marketing - like they could market it poorly and nobody finds it and down it goes.
Barack Obama has brought glamour back to American politics - not the faux glamour-by-association of campaigning with movie stars or sailing with the Kennedys, but the real thing. The candidate himself is glamorous. Audiences project onto him the pers...
I've never been to Hollywood. I can count the number of times I've been to Los Angeles on my hands. I've never made a movie there and I've never been there for working reasons. The only reason to go there is for silly awards shows.
The shock of photographed atrocities wears off with repeated viewings, just as the surprise and bemusement felt the first time one sees a pornographic movie wear off after one sees a few more.
We are always acting on what has just finished happening. It happened at least 1/30th of a second ago. We think we're in the present, but we aren't. The present we know is only a movie of the past.
The best books — like the best music or television or movies or comics or video games — can challenge us and force us to think or perceive aspects of life that we may prefer to avoid. In a sense, they threaten us.
I don't think a lot of actors talk about it, but there's usually a process where you essentially purge yourself of the character that you played prior to the movie. That's the first thing. You want to do it.
Our platform is a one-stop shop, from marketing and promotion through to ticketing. But even in the early days, in 2006-07, when we were mostly carrying shortform video, we became the premier movie marketing platform.
When I see the first dailies on any movie, I usually feel that I had no idea how this combination of ingredients was going to mix together, what it was going to produce.
That's the kind of movie that I like to make, where there is an invented reality and the audience is going to go someplace where hopefully they've never been before. The details, that's what the world is made of.
If you just did a horror tone throughout an entire movie you almost, as an audience, can get a little bit used to it. But if you're laughing one minute and, you know, somebody's doing something quite horrific the next minute, it's a little more shock...
It's drama, it's a lot of things, but you know it's always about every movie or every TV project ever made is meant to be watched. If people like it and support it, that's what it is all about, really it's sort of the important part about it.
We like Batman - we understand him, we suffer with him. On the other hand, we want to be Superman. But they're conflicting philosophies. Let's bring them together in one movie and see how we, as an audience, wrestle with our inner demons.
There are so few guys who do action and do it well. Even fewer who are African-American. Even fewer who have classical-theater training. So a cat like me coming in, I'm bringing all of that to an action movie.
I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real.
It's weird, but I don't feel like think I deserve any of the attention. There's really nothing but one audition for a Disney Channel movie that separates me from 2,000 other brown-haired, blue-eyed guys in L.A., you know?
Working on an adaptation is not as satisfying, because it's not your original work: you're interpreting. With 'L.A. Confidential,' I loved the book. In that case, I felt I was guardian of the work, staying as true to the novel as I could. I've since ...
I met Tyler Perry and we did 'House of Payne' and a movie. We've done a couple other films since then, but it all boils down to the work. I'm a work-a-holic, which is why I think that I've been successful. If you tell me no, I'll work even harder!
I actually don't pay a lot of attention to the movie 'industry'... I just do the work when I get it. I never considered anything I was in, or did, as a possible breakthrough for me. I have advised other actors not to expect anything. Expecting a 'bre...
Character actors just pile up the credits because you work on a movie for, like, a few days. It's not like I'm the lead in everything I do - far from it. I'm not spending three or four months on a picture; I'm spending three or four weeks. Sometimes ...
