Broadway purists may deplore the influx of movie-spinoff musicals in recent years, wishing someone would turn off the popcorn machine and let more imaginative brainstorms blow through.
Quite often, I'll be sent a script for a movie. And I find that I like it, so I say I'll do it. But then they rewrite it for me. They make it quirky. Odd. I find that rather annoying. I call it Walkenising.
Personally, I consider 'Titanic' the most brilliant example of successful counterprogramming; the film actually countered itself by embedding an epic chick flick within a classic disaster movie.
I'll look back and I'd be better to answer that in about three months from now. Or when the movie comes out and I see it. I don't even know what it is yet. I've still been in the middle of it.
It took a while for the first 'Blade' to get made, and Marvel decided they liked the Whistler character so much, when Blade guest starred on the 'Spider-Man' cartoon, they put Whistler on the cartoon, and the movie hadn't come out yet.
When Steven Spielberg comes to you and says, 'Hey do you want to write a movie about robots?' You just say yes.
I think they went with the idea that people know the story pretty much- knowing that he's going to take her when she's going to go with him. Also, the movie is really focused on Achilles and Hector and their battles.
I fell asleep during 'Year One' twice. And my son, who never falls asleep during a Jack Black movie, also nodded off. That's how bad it was. I was incredibly disappointed.
You know what I did? I turned down an offer to do 'Enemy of the People' with Steve McQueen. It doesn't matter that the film was never really released. A movie like that, successful or not, adds to your credits. It leads to other roles.
Before my son was born, I use to tell people that I was looking forward to no longer being the star of my own movie; then Harry came along, and it was like, 'Whoa, I'm really not!'
Film, as far as I'm concerned, is my area of artistic endeavor, so I never think of a movie that gets released as being all done-it's just when they took it away from you.
When you're acting in a movie, you never consider the reception of it. It's impossible to predict how something will be received. Even if you think it's the greatest thing in the world, other people might not like it. Or agree with it.
One of the things I've learned as a filmmaker is to have some aspect of the movie be something that I admire greatly, whether that's an actor I'm working with, the subject matter, or a book.
Everybody reads for me. I was never weird about that. I never minded coming in and reading. They should know if I'm the right person, and I should know if I want to do a movie.
I think, honestly, that the word 'indie' is a false gimmick. 'Independent' used to mean a movie that was financed outside corporate Hollywood, but a lot of what gets called independent these days is totally produced within that system. And there's no...
We originally developed 'The Client List' along with Lifetime as a TV movie - my manager and I became partners on the project. Then, we brought in Howard Braunstein on the project and produced it along with Lifetime.
The original 'RoboCop' was X-rated, and then they had to cut it down so it became R-rated, and Verhoeven claimed that actually made the movie more violent, because it's what you don't see that actually scares you.
I don't think every movie should be made in 3-D, and it should depend on whether it's one of these films that's more immersive or needs to be taken to another world. I'm interested in other formats.
When I'm watching television or a movie, I like to see stories that are extraordinary. I don't need it be something that is, 'Well this makes more sense to me because I can see this happening to me, or this happened to me.'
It gives us a look into a world that's very much like 'Traffic' was for drugs, this movie is for gun running. Dark at times, but I think Nic Cage is an incredible person to watch and very entertaining.
As a filmmaker, I'm very collaborative. I don't pretend to know everything that is needed to make a movie. What I like to do is get together with a group of people, starting with developing the story and bounce around ideas.
