The novel succeeds on terms exclusive to literature. A good film succeeds on terms exclusive to the cinema. That's why so many bad novels can become good movies, like 'Jaws' or 'The Godfather.'
I kinda see my current position like this: Here's your five minutes in the toy store, so you gotta do all the good movies you can before 'Chuck Woolery' rings the bell.
I didn't do anything for two years but work on 'Gone Baby Gone,' and it was miserable and hard, but at the end? It is a good movie. I liked it very much. If it had been dismissed and deemed worthless, it would been definitely devastating. But that di...
I tend to look for the good in bad people and the bad in good people, to make them human. 'Cause I don't think that people generally are that black and white. Maybe in movie-land they can be... but that isn't necessarily all there is.
I grew up a child of Watergate. It gave me a good dose of skepticism about authority. One of my favorite movies is 'All the President's Men.' Woodward and Bernstein, those guys were my heroes. I have a degree in journalism.
When you're young, you don't care about your parents and what they're doing. But then you get to your 20s, and you start watching their movies. And then you become an actor, as I did late in college, and then you're really watching them. And they wer...
I grew up loving films and making stupid movies with a good friend of mine, who now actually has a career in a really prominent special effects house, so he's still doing it. We just started messing around with a camera.
With horror movies, a bigger budget is actually your enemy. You want to feel the rough edges, the handmade quality to good horror films. It's a genre that benefits from not having everything at your disposal.
Like anything, I think there are some wonderful found footage movies, and there are some less good. Certainly when it's done well, I really love it. I really love it as a genre.
If you check your ego at the door when it comes to comedy, you've got a pretty good shot at making a great movie that you can commit yourself to, you can jump off the proverbial cliff with, and have a great time, and the audiences respond to that.
I think Charlize Theron is just as good when she is looking really pretty in a movie as when she gains 10 pounds and puts on a nose. I applaud her - good for her that she doesn't care. But she's just as good, whether she's pretty or not.
Skinniness is not your friend when you're over 40. I'd like to gain a good 10 pounds, but I did always have a fat, round face that plagued me when I was young. When I started to make movies, I couldn't look at myself.
I don't read good reviews. I like to know what percentages are going on. When Sony sends out something saying that people are liking the movie, I like to know that, but I don't actually sit and read the good stuff.
When I was a kid, I would make these incredibly bloody movies in my back yard. I was constantly making weird blood concoctions; Jell-O and milk was a good one. I was constantly ruining clothes and staining my parents' walls and stuff.
When you first start out as an actor, you're just looking for a good part. As time goes on, if you're being held responsible for the movies themselves, you're looking for a good script all around.
I've never been a method actress; I've never been that person that wants to imagine horrible things happening in your own life in order to exploit them for your emotional being in the movie. I'm just not good at doing that.
I was beginning to think I was typecast in everyone's mind out there as a serial killer. I played a serial killer in one movie, I was the ghost of a serial killer in another and in a third, a computer-generated serial killer. The stage looks pretty g...
They're still working on the script - they've got to get that nailed down and they want the first movie to come out obviously, not get too ahead of themselves. But yeah, it's looking good. I love the second book a lot as well, so kind of diving into ...
You know, I'm not saying, 'Oh, because I play a good guy on TV, I need to suddenly be villainous in a movie.' I look at it more like: does this role has a kind of urgency for me in terms of, 'Can I not say no to it for whatever reason?'
I have no idea why one of our most original filmmakers would want to spend two years of his life translating someone else's movie from Spanish into English. And it wasn't such a good film in Spanish, either.
A way you can get really good abs in film is you get your makeup artist to paint shadows - faux washboard. But if you see me in a movie and I have great abs, it means I have a great body double.
