I AM NOT about making movies that would be forgotten. I want to make ONLY timeless classics. I don't care if it takes me ten years
If we fast forward through the journey, like Adam Sandler in the movie, Click, we’ll look up one day and see that we missed our lives.
When I was growing up watching Marilyn Monroe, I learned that you can be very beautiful, very glamorous and very vulnerable and not give up your soul just because you were a movie star.
I learned so much from other actors and they definitely didn't treat me like some sex bomb or bimbo. I felt fully accepted in the regular movie world. I didn't feel categorised.
It is something actresses need to go through and I think they look forward to being naked in a movie. I don't know why, but it is something you need to exhaust from yourself.
Stars are rare creatures, and not everyone can be one. But there isn't anyone on earth - not you, not me, not the girl next door - who wouldn't like to be a movie star holding up that gold statuette on Academy Award night.
I don't mind doing the whole red carpet thing when I have to when it comes to publicizing a movie. But besides that, I don't like those kinds of things at all. Celebrity status is not really something that appeals to me.
I guess my first digital movie was 'Tintin' because 'Tintin' has no film step. There is no intermediate film step. It's 100% digital animation, but as far as a live-action film, I'm still planning to shoot everything on film.
The only movie that I would ever even consider retrofitting is the first 'Jurassic Park,' which I think would look pretty spectacular in 3D. That's the only one of my films that I would consider doing in 3D.
And I'm auditioning right now for a movie, and then I have a script that I'm reading right now for a horror film, and I'm meeting for a couple of television shows that I just had yesterday, and pretty much was offered one of them.
I really enjoy the iPad because you can multi-task: I can watch a movie, read, look at pictures that I shot - because I'm into photography. It serves a lot of purposes for me.
In the last James Bond movie, the villain was a culture captain, a tycoon of culture, a Murdoch figure. It's not as if people don't know what is going on.
The whole acting thing is a buffet. One, in terms of role choice and movie choice, I like to do lots of different things, and I think that's the whole fun of it. But I also see it as a buffet in terms of the character.
I was thrown in the deep end at 18 when I got cast in a movie that I didn't audition for. The director just sort of found me and put me in a film, so the decision was really made for me.
You can't remember the plot of the Dr Who movie because it didn't have one, just a lot of plot holes strung together. It did have a lot of flashing lights, though.
It was exactly the same on the South Park movie really too. There's lots of violence in that too, but it always came down to anything sexual... They don't care about anything else.
All I mean is, I'm not the kind of audience comedy directors want at a test screening because I seldom laugh, and if I do, it's not very loud. That doesn't mean I don't like the movie.
I used to sit on the couch, and I could go through a pound of Brie cheese and a movie. I was like, 'That's enough,' because it feels like a bowling ball in your stomach.
I am going to produce a movie of my own. I am not going to stick to the time-tested formulae of Hindi cinema. I want to make a film for the present generation. So there will be a lot of new faces in the film.
For all its flaws, 'The Hands of Orlac' really is a seminal film, and if you're partial to that particular B-movie subgenre of Demon Body Parts, you really ought to see it.
I had written movie scores, television series, played with other people. Carl had done the same with Asia, with other bands, everything. We weren't about to entrust Greg automatically with a production credit.
