Nothing to me is unexpected. No disappointment is unexpected - whether it's movies or people or relationships. I'm always ready for the punch directly between the eyes. So I get hurt, but I never get hurt. Happens all the time.
The interesting thing about movies, it's not always - y'know, you have to have structure etc and all those things, but an audience responds, in many ways, we walk away and certain things stay in our heads that are memorable.
When I see old movies with women in floor-length dressing gowns, or when they're going to the store and they've got a pillbox hat with a net over the eyes and white gloves, I'm offended that I can't go to the store like that.
They're pretty extreme, but I loved the two 'Human Centipede' films from Tom Six. Those movies are fun because they're well-made. They're crazy and psychotic and perverted and twisted, but they're really well-made.
Since the big band started I'm just always swamped with movies and things. It certainly pays the bills and it's very satisfying, because I get to write all these big charts and all this crazy music.
I think people assume I only do light things because of the movies that are like 'Hairspray' and 'John Tucker Must Die.' But I think it's all just based on material that I really like and that speaks to me.
But then I go through long periods where I don't listen to things, usually when I'm working. In between the records and in between the writing I suck up books and music and movies and anything I can find.
You know, I think when people fly the nest a little too soon, as far as getting involved in movies, anything beyond the music can make it suffer, I just want to make sure that I'm not that guy.
The whole point of the game is not to stick with one thing, because when that one thing ends, then what are you going to do? For me, I have movies, '106 & Park,' music, and other things to fall back on.
In terms of the romantic kind of lead, I just never enjoy those movies very much. Maybe they'll come to interest me more as I get older. I doubt it, but maybe. Romantic comedies tend to be, for me, an oxymoron.
I understand it all. I can write my own ticket for one or two movies. But if they're not the right ones, my ticket gets yanked. I understand that's how it works, and I'm okay with it.
I don't think any studio - it was a long shot at the time - but I don't think any studio in a million years would make 'Thelma and Louise' right now. But there's so many other kinds of movies they won't make right now.
De Niro was a hero of mine. And Sean Penn. But I've realized I can't operate at that level of intensity. That's okay for movies. On TV, when you live with horror day in and day out, you have to protect yourself.
I have very young looks, so it's easy for me to play high school, but I'm trying to stay away from high-school movies. As I get older, I'll try and broaden my talents.
You think once you've shown what you can do, and your movies have been successful, that snap, you work. So to discover the difference between guys' roles and girls' roles made me plain mad. It's unjust.
Women like to be scared, but they don't like the blood and the gore, and especially movies that have violence and torture involving women. Women don't want to see that, I can tell you for damn sure right now.
Often we'd secretly like to do the very things we discipline ourselves against. Isn't that true? Well, here in the movies I can be as mean, as wicked as I want to - and all without hurting anybody.
I only made two studio movies, that was a long time ago and obviously I removed myself. I think some of that is geographical. I live in New York and I want to work there, it's as simple as that.
You do something on television, and so many people see it that it follows you around. It's interesting. I've done a couple of things on TV, and probably more people saw me than in all the movies I've made.
I get a lot of action scripts. I get low-budget vehicles that will end up right on the video shelf. I want to do movies that I want to talk about, that I'm proud of, but I also want to make a living.
The go-to reflex all over Hollywood is still likeability. I've always had a problem with it because I think I have a weird barometer in the sense that some of the characters I've cared about the most in movies are characters that are often thought of...
