I knew Vincent Price from films - he was a big movie star - but the first time I met him was when we filmed 'The Oblong Box.'
My parents divorced about the same time the movie 'The Parent Trap' came out, about two twins at camp who scheme to get their parents back together. I had that same fantasy.
When a movie is about to come out on its initial debut, there are a lot of people involved - the financiers, the studio and the producers and also, many times, the foreign distributors. So it is a time of tremendous pressure and uncertainty.
When I read the 'Country Strong' script, I thought, 'Can't they just hand-double it? Can't I just do the rest of the movie and not have to do the performing?' It took me six months to learn to sing and play guitar at the same time.
Well, every movie is an experiment. And the only way you can grow at what you're doing is to take chances. You can't try to stick with what worked last time.
I don't believe that you can judge the worth of a movie in the atmosphere in which it comes out the first time. There's just so many reasons why some pictures don't catch on.
My girlfriend tells me if I'm doing a movie I'm a roller coaster of emotions all the time, but on 'Boardwalk,' because I've done it for so long and I'm so in tune with the character, she says I'm pretty happy most of the time.
It's a fine line to find that balance: to show people enough to give them the promise of something unique, and something they want to see, but at the same time make sure that when they show up for the movie, they're surprised by what they eventually ...
I think in this movie, every time I see his work, I'm blown away by it because he, to me, he really embodied the character so powerfully and so real, so truthfully to me.
My first break was in a Hong Kong movie that I shot in China - I was going out there and working as a western stunt man, if you like, but at the same time in England I was working in daytime soap stuff. Eventually I put the two together.
'Behind The Candelabra' is an HBO movie. It's the Liberace story. Michael Douglass and Matt Damon. I play a small part in it. I play a choreographer who introduces, brings Matt Damon to Las Vegas for the first time.
It took me a long time to film the plastic bag, and then I had to get the cut of the scene right. But if you find it as beautiful as the character does, then suddenly it becomes a different movie, and so did he as a character.
How do you grow up in the shadow of a guy - I want to talk about the movie in a second - but how do you grow up in the shadow of a guy who really is a legend in his own time?
I would like to play an average guy. I would have loved to play opposite John Candy in a movie. That was my dream for a long time, and sadly, now I can never realize that. But I'd like to do comedy.
I was named Margaret Yvonne. 'Margaret' because my mother was very fond of one of the derivatives of the name. She was fascinated at the time by the movie star Baby Peggy, and I suppose she wanted a Baby Peggy of her own.
A departure from the movie with Michael J. Fox, 'Teen Wolf' tells the story of how a group of angsty teens deal with werewolves, their supernatural kin and the world of trouble that comes with it, all while trying to still live their lives.
Randal Graves: I got to rent movies, fuck with assholes, and hang out with my best friend, Dante.
[about attending support groups for diseases she doesn't have] Marla Singer: It's cheaper than a movie, and there's free coffee.
Benjamin: Look, maybe we could do something else together. Mrs. Robinson, would you like to go to a movie?
Georges Méliès: My life has taught me one lesson, Hugo Cabret, and not the one I thought it would. Happy endings only happen in the movies.
Tommy Doyle: What about the jack-o-lantern? Laurie: After the movie. Tommy Doyle: What about my comics? Laurie: After the jack-o-lantern. Tommy Doyle: What about the boogey man? Laurie: There's no such thing.
