When I did '21 Jump Street,' I felt like I was a part of something great, but on a very large scale. Working with people that genuinely want to make good art or good work or a good film, that's what keeps me going.
I know from my own experience that great films and great actors can have a really big influence on you. There is a place for art in the world, and if you're lucky enough to be good at something and to keep being given work, it's not such a bad thing.
I didn't want to save art - I respected the older artists too much to think art needed saving. But I knew it was finished, even though, at that time, I didn't know what I would do.
On some level, acting is the art of pretend, and you have to have a highly cultivated sense of imagination. You have to be able to see things that aren't there, no matter what aspect of acting, whether it's green screen, whether it's on stage, whethe...
So you might say, 'Why do you end up making theatre in a world in which there is already too much of that? Creating layer upon layer of artifice?' Perhaps the function is to pierce through that cloud and show reality - so the function of art is to ma...
To me that's part of my working day, and I would never refuse a job where I'm under several hours of makeup, because as an actor, I enjoy performing. It's about the creation of the character and the art to me, not about being comfortable and how long...
There are often beams in our eye that we know not of. Let us therefore ask that our eye may become single, for then we ourselves shall become wholly single.
If I cease searching, then, woe is me, I am lost. That is how I look at it - keep going, keep going come what may.
The words went round and round and round in my mind and my body, until I knew they were no longer my words but something that had been carved into my heart. And now my soul was crying.
A made desire to be more human, to be more normal, that's what pushes me, these days - but as someone said the other say. 'Trace, you're going to have to face facts. You and normal parted a lomg, long time ago.
'Foyle's War' made me realise that Churchill actually had questionable morals; his decisions meant that good people died. It must have weighed heavily on his soul, but he never let his personal demons get in the way of what was best for our country.
I think it's probably best to work out in the morning to get it out of the way. My ultimate top tip is to drag yourself, even if you have to roll yourself out of your bed and in to a sit-up - it's really not that bad once you start.
I'm kind of floating out there as an artist. I'm in a safe place where I can play a girlfriend or a best friend or a mommy or a lawyer, but a huge part of me is unused. I'm classically trained, historically inclined and somewhat revolutionary by natu...
There was a Russian director named Elem Klimov, who did his films during the communist days. They were constantly struggling with the authorities and to be allowed to express themselves. But he did one of the best war movies I've ever seen - it's cal...
It would be wrong to say that the city of Berlin is not regulated. What I think is more interesting is to what extent a city creates a sort of safe haven for its users, so that people feel confident that the city works on their behalf.
I think if I was Trinidadian, I would latch more on to the myths and romanticise the place more. I don't think it's my place to do that - they're not really mine. I'm an outsider.
When I am in New York, you know, my studio is big, about 20,000 to 25,000 square feet, and I have painting rooms and rooms I do etching in, rooms I do lithographs.
When I was a child, my mother said to me, 'If you become a soldier, you'll be a general. If you become a monk, you'll end up as the Pope.' Instead, I became a painter and wound up as Picasso.
When you start with a portrait and search for a pure form, a clear volume, through successive eliminations, you arrive inevitably at the egg. Likewise, starting with the egg and following the same process in reverse, one finishes with the portrait.
When art critics get together they talk about Form and Structure and Meaning. When artists get together they talk about where you can buy cheap turpentine.
What do you think an artist is? ...he is a political being, constantly aware of the heart breaking, passionate, or delightful things that happen in the world, shaping himself completely in their image. Painting is not done to decorate apartments. It ...
