My biggest break wasn't 'Rent;' it was the first job that ever paid me. I couldn't believe that they were paying me all that money to go around the country and do Shakespeare. I would have done it for free.
I used to say when I was working in the theater that if I ever had five seasons of a hit TV show I'd never have to worry about money and wouldn't have to do anything I didn't want to do.
I've certainly auditioned for big budget studio films. I don't know if it's because there's so much money involved, but a lot of times the pressure overwhelms me and engulfs me. I end up falling apart in the audition.
The highest pay cheque my mother ever received funded the building of a nursery school in Shepherd's Bush - the school cost well over three times the money she donated to the making of the film 'The Palestinian.' Unsurprisingly this always goes unmen...
I've been in Vegas. That's where you get into the money thing. Boy, you get greedy in Vegas, you know. That's the only place that you can bet $25, get it up to $500 and refuse to quit.
I treated myself to a £700 Chloe bag after one of my first acting jobs. Then my friends pointed out that, for the same money, I could buy a flight to India. So I took it back.
I try to do the right thing with money. Save a dollar here and there, clip some coupons. Buy ten gold chains instead of 20. Four summer homes instead of eight.
'La Lupe' is my passion project. I've done it as a one-woman show, but I'm raising money to turn it into a film. It's a story of a Cuban singer who became the Queen of Latin Soul, the first woman on the N.Y. salsa scene.
You definitely want to do the little films. They're always going to be harder, but you don't do them to make money. You do them so you can see what you can make with the research that you have.
I don't like to spend a lot of money on haircuts: I'll sometimes grow my hair and get an acting job and get them to cut it for free. I think for a lady, though, it's okay to spend a lot on a haircut.
When you try to find funding for a VVA function, it doesn't seem like it's any trouble at all. People come out of the woodwork with their money to help out because we went over and fought a war.
Several times we were stranded in strange places without any money and with our credit cards cancelled - trapped in a hotel that we couldn't check out of because we had no money to check out.
What's difficult with doing 'The Producers' is your appetite is enormous. You want money; you want boards; you have huge desires. You've got to want more than anything for two and a half hours. Everything is heightened.
Mafia guys are all just insecure people who want their money. They're like little seven-year old kids when they don't get their way. I knew guys like that growing up in New Jersey.
For a lot of filmmakers, their first goal is to be successful and make some money. But once people start doing that, the real goal is then to win an Academy Award. Because when they do, they know that their obit is going to start out, 'Academy Award ...
I grew up with no money. My kids will grow up with a lot of money and so it's really important to me, and it will always be a part of my parenting, to keep them conscientious and connected socially to other people.
I never cared about money because I never needed money, you know what I mean? When I was 12 to 17 I never saw any of the money, so the money never motivated me.
There's still a lot of investors wondering what to invest in. And, of course, I think entertainment looks attractive when you read the few films that make these insane amounts of money. What they don't know is they don't always do that.
During the Eighties, when I was hurting for money, I thought, 'Hang on a minute - I can paint.' I was living in New York and I thought it would get the grocery money coming in, and it escalated from there.
I think Hollywood is so driven by money, the people who are making the decisions are not necessarily reflective of the melting pot, so what stories are you going to want to tell? You're going to want to tell stories about yourself.
Although it sounds cliche, the main thing I want to do is touch people with what I do. I want everything I do to be meaningful, and I want it to be about more than just myself, or the money.