Billy Wilder is really is a heavy influence on Bound. We felt that film noir was a genre where you could create a really contained story. We wanted to be on a set as much as we could to get the kind of style level we were looking for.
You say to yourself: 'What could people, in all these countries, find in my books?' and yet I think we're all the same, anywhere. Everybody is a hero or a dramatic person in their own story if you just know where to look.
I wish I didn't have ever to sign my long name on the cover of a book, and I wish I could write a story that would seem absolutely true to the child who hears it and to myself.
People like it when others are gossiping. When you hear a story about someone's demise or some big faux-pas they made, everyone wants to tune into it, because it's nice to know that someone else made a mistake. It makes you feel elevated for a moment...
When I did see the story of Persephone, I was really drawn to it. Persephone, the goddess of spring, was kept from Olympus by her mother, Demeter, because Demeter was very worried that the gods of Olympus would do something terrible to her.
I wrote my first real murder story as a journalist for the Daytona Beach News Journal in 1980. It was about a body found in the woods. Later, the murder was linked to a serial killer who was later caught and executed for his crimes.
We all know from growing up with TV that John Wells shows are usually very large ensembles with amazingly written characters. He tends to redefine the way stories are told in a specific genre, whether it's 'China Beach,' 'The West Wing,' or 'E.R.'
If you are writing a story and trying to draw an audience to come and hear you tell it, it's got to in some way relate to them. Who wants to come and hear about your specific problems? It's not therapy - it's supposed to be a communal piece of entert...
I like the character roles. Somewhere back there I really came to the conclusion in my mind that the difference between acting and stardom was major. And that if you become a star, people are going to go to see you. If you remain an actor, they're go...
One of the things I would like to do is make up stories that I would have enjoyed when I was a kid. So, if I'm thinking about an audience, it's usually a younger version of myself.
Perhaps my favourite story is 'Le Passe-Muraille' by Marcel Ayme. It's about a guy who wakes up with a weird faculty that means he can walk through walls. He's a very shy clerk, and he uses it to get revenge, or vent his frustration.
When I was your age — about, ooh, a thousand years ago — I loved a good bedtime story. The Three Little Sontarans. The Emperor Dalek's New Clothes. Snow White and the Seven Keys to Doomsday, eh? All the classics.
In campaign reporting more than any other kind of press coverage, reporters aren't just covering a story, they're a part of it - influencing outcomes, setting expectations, framing candidates - and despite what they tell themselves, it's impossible t...
Everything in 'The Tudors' is initially based on my historical research, and the fact is that the most unlikely scenes were the ones which were probably most based on reality. I prefer to be as real as possible, and there is so much of that story tha...
Fox News covers stories that some other news outlets won't cover. We ask some questions that other news outlets wouldn't ask. And sometimes that's perceived as bias by people who've grown up in a world where there are only liberal outlets.
The world of light and starry grace; within your mind I live to trace. Your thought’s speed in thunder’s glory, lightening my being with dream’s story. I embrace the tree carrying your name Your unspoken wish : the heart of fame.
The novels take longer to write than the picture book texts, and they do take a different sort of concentration. However, a very short, simple story that works well is just as exciting to me as any longer and more complex book.
I'm not really one of those people who goes and writes some big back story and agonizes over characters. I think you kind of can get it. For me personally, it's just kind of more instinctive. But I don't have kind of an acting background. I fell into...
What's fascinating to me is the way that multiple stories go into creating any world - a fictional world, but certainly the world that we live in as well. Of course, I cannot control that world. I can just control the fictional world.
Isn't it amazing how we always have to put our mark on things? And how, from the natural world, we find evidence over and over again that reminds us, not so much of the birds, but of our own stories and our own kinds of art?
There are so many fantastic stories and I want to bring Thor and Odin and the other gods into the modern world, just like I did with the Greeks and 'Percy Jackson.' I'll give the books an urban setting and have young people interacting with the Norse...
