Woody: Buzz, will you get up here and gimme a hand? [Buzz throws his broken-off arm to Woody] Woody: Ha-ha, ha-ha. That's real funny. THIS IS SERIOUS!
Woody: Buzz, you've got wings! You glow in the dark! You talk! Your helmet does that, that... *whoosh* thing! You are a cool toy! [loses steam] Woody: As a matter of fact, you're *too* cool.
Mr. Potato Head: Oh, really? I'm from Playskool. Rex: And I'm from Mattel. Well, I'm not really from Mattel, I'm actually from a smaller company that was purchased by Mattel in a leveraged buyout.
Sid Phillips: [torturing Woody with a magnifying glass] Where are your rebel friends now? Sid's Mom: [offscreen, downstairs] Sid! Your Pop-Tarts are ready! Sid Phillips: [running off] All right!
Woody: [trying to get Buzz into Molly's stroller] It's a special spaceship, I just saw it. Buzz: You mean it has hyperdrive? Woody: Hyperactive hyperdrive, and astro... uh... turf.
Jordan Belfort: The only thing standing between you and your goal is the bullshit story you keep telling yourself as to why you can't achieve it.
Doc: [frustrated] Why do you kill? Tony: [picks up the scattered money] I told you how it happened, Maria understands, I thought you did too.
Action: We gotta show them who's on top! The Jets! Baby John: Haven't you had enough? Action: What are you scared? Baby John: Who's scared?
I was supposed to do a film with Bill Shatner called 'Free Enterprise 2.' They were calling me into wardrobe, and they said they are holding off for a while. Then the next thing I knew... either the money dropped out, or the producer ran off with the...
Other than that one year, Salon has been very cautious about the way it spends money. For instance, since last year, we've had virtually no marketing budget. It's just word of mouth. And our circulation continues to grow that way by breaking news sto...
I'm not a writer because I want to make money. I'm a writer because I'm a very slow thinker, but I do care about thinking, and the only way I know how to think with any kind of finesse is by telling stories.
I think it's really odd, too, that the public is so privy to how much money the actors make and what movies cost. It seems to me to be beside the point. When I go to a movie I really don't want to think about the money. I want to see the story.
I'm very conscious that I'm an entertainer. Something like 73 percent of my readers are college graduates, so you can't condescend to people. You've got to tell them a story that they will be willing to pay money to read.
When you're writing non-fiction, you go as far as you can go, and then ethically you have to stop. You can't go. You can't suppose. You can't imagine. And I think there's something in human nature that wants to finish the story.
A poet can feel free, in my estimation, to write a poem for himself. Or a painter can paint a painting for himself. You can write a short story for yourself. But for me, comedy by its nature is communal. If other people don't get it, I'm not sure why...
I think about the question of perspective in reporting all the time, and since I spent 20 years of my career in Washington as both a reporter and an editor I'm keenly aware that a newspaper should not be dominated by stories in which the only voices ...
Once I got into college, I discovered literature - in particular, multicultural literature. I just started to understand the power of story and narrative, and you know, like anyone else, I kind of wanted to do it, too.
I really like knowing secrets, and once I do know that secret, I can keep it. But if I'm on the outside and I don't know the secret, that's a different story. I will try with all my power to get the secret out of the person who knows.
I think the novel is not so much a literary genre, but a literary space, like a sea that is filled by many rivers. The novel receives streams of science, philosophy, poetry and contains all of these; it's not simply telling a story.
I work on words, mostly, toward them being poetry or short stories, and then some of those become songs. They all find their place in the world, but they all start off in the same place. I'm always painting and drawing as well, and it's an ongoing cr...
I was a very romantic, overly dramatic young lady, which served me well as a songwriter. Especially as someone who had to focus on lyrics and melody, because if you're a dramatic and romantic person, lyrics come easy, and you turn every single short-...
