Buzz: I am Buzz Lightyear; I come in peace. Rex: [shaking Buzz's hand] Oh, I'm so glad you're not a dinosaur!
Bo Peep: What would you say if I get someone else to watch the sheep for me tonight? Woody: [blushing and giggling] Oh-ho yeah. Thought so.
Announcer on Intercom at Pizza Planet: [At Pizza Planet] Before your space journey, re-energize yourself with a slice of pepperoni, now boarding at counter three.
Lenny the Binoculars: [Sid lights the rocket on Combat Carl] He's lighting it! He's lighting it! Lenny the Binoculars: [toys start to duck] Hit the dirt! [explosion]
Lenny the Binoculars: [Lenny spots RC Car rocketing toward the open moving van] Hey, look! It's Woody and Buzz, comin' up fast!
Maria: My brother is a silly watchdog! Bernardo: Ah, my sister is a precious jewel! Anita: What am I, cut glass?
The Jets: [singing] Here come the Jets, like a bat out of hell - Someone gets in our way, someone don't feel so well.
Tony: [angrily] I ain't playing anymore, CAN'T ANY OF YOU GET THAT? Anybodys, Tomboy: [agitatedly] BUT THE GANG! Tony: You're a girl! be a girl and beat it!
Anybodys, Tomboy: [spitefully] Bernardo's girl wants to help? Action: Even a greaseball's got feelin's. Anybodys, Tomboy: But she wants to help get Tony! Anita: [panicking] NO!
Glad Hand, Social Worker Leading Dance: I want you all the form two circles. The boys on the outside and the girls on the inside. Action: Where will you be?
The fact that the movement was carried on by women who, for the most part, had no money of their own and were totally inexperienced in organization, and that they won their fight in about two generations, makes a story often dramatic and always worth...
And I like being able to go back and forth, and I don't really care if it's a small budget or big budget or studio or independent, as long as it's got a story that's compelling and there's enough money to make the picture.
As a screenwriter, there's so many layers you have to go through in order to tell your story. You have to write the script, get money for the script, shoot it, find distributors, make it into film festivals, all of that just to get to your audience.
The Dome is a metaphor that could mean anything - it could be nuclear fallout, terrorists - I've always been fascinated with stories where people's roles are flipped on their heads, be it the Wall Street guy, the techno guy, etc. All of those things ...
Stories come from other shows at other studios where only 2,000 rounds were actually used and the money for the other 3,000 went right into the studio pockets. Corners were cut and that production suffered. Knock wood, that hasn't happened to us.
The world, when you look at it, it just can't be random. I mean, it's so different than the vast emptiness that is everything else, and even all the other planets we've seen, at least in our solar system, none of them even remotely resemble the preci...
I have very strong Canadian connections. My daughter was born there a year and half ago. But because of the nature of my job, I need to be in countries where I can get the stories that I am looking at.
I wanted to be of service to the Peace League, and how could I better do so than by trying to write a book which should propagate its ideas? And I could do it most effectively, I thought, in the form of a story.
'The Piano Lesson' is very sophisticated, easily the most adult or complex material I've attempted. It's the first film I've written that has a proper story, and it was a big struggle for me to write. It meant I had to admit the power of narrative.
To power the country by building 186,000 fifty-story wind turbines - and running 19,000 miles of new transmission lines - just seems impractical and preposterous compared to the idea of building a hundred new nuclear facilities primarily on the sites...
Sometimes we need to step back and understand the power of video games. 'Dear Esther' does just that. Through visuals, audio, and narration, this title weaves a story around the player as they explore different areas in the game.
