As far as I'm concerned, an audience is an audience. Whether it's an audience in Hull or the National Theatre, that's who you play to. It's not money - it's good to get some, but that's not why I do it. You do it because you have to, to tell a story.
I don't read a lot of magazines, but when I'm traveling, I'll pick up a copy of 'Vanity Fair' to read on the plane - it's like a full meal! The articles are so good, especially the crime stories. Browsing the Web is more like snacking - but I live on...
Good short-story collections, like good record albums, are almost always hit-and-miss affairs - successful if they include three or four great tracks, wildly successful if they have five. And that's as it should be.
Primarily, 'Black Girl/White Girl' is the story of two very different, yet somehow 'fated' girls; for Genna, her 'friendship' with Minette is the most haunting of her life, though it is one-sided and ends in tragedy.
The writer is both a sadist and a masochist. We create people we love, and then we torture them. The more we love them, and the more cleverly we torture them along the lines of their greatest vulnerability and fear, the better the story.
Someone asked me if I was afraid to write my memoirs. I told him: 'We have to stop drawing up accounts of fear! We live in a society in which people are allowed to tell their story, and that is what I do.'
I lived in New York my whole life. Like every New Yorker, I have stories about spending summers on the Jersey shore, riding the roller coaster in Seaside that is now famous for that sickening photo of it being washed out to sea.
I would love to do a biopic of a famous singer, like Diana Ross or Donna Summer, or an old jazz story that we haven't seen before. I would love to do that! I would love to play Diana Ross 'cause she's an icon. I'm salivating to do that.
I realized that conventional views of Christian faith that I'd heard when I was growing up were simply made up - and I realized that many parts of the story of the early Christian movement had been left out.
I like the detail work of telling a story in small pieces, as is done in movie-making, and also the long leap of faith needed to see a theatre performance through each night. Both require focus and self-discipline.
There's no artist in this world that doesn't enjoy the dream that if they have bad reviews now, the story of Keats can redeem them, in their fantasy or imagination, in the future. I think Keats' poem 'Endymion' is a really difficult poem, and I'm not...
If you record the world honestly, there's no way people can stop being funny. A lot of fiction writing doesn't get that idea, as if to acknowledge it would trivialize the story or trivialize human nature, when in fact human nature is reduced and fals...
Especially with a comedy, you've got the clear cut goal of trying to make a scene funny. It's not like drama where you're trying to achieve some kind of emotion or trying to further the story along. You're trying to figure out what's the funniest way...
Strange questions are the more interesting ones. Children by and large don't try to trip you up... they want to find out how you do this funny thing that you do... if they've loved a story they love to know how it started.
I don't really approach stories to make them different from other stuff I've seen, I just try to get into the character, into his or her head. Try to make it as funny, as scary or as wild as I can so that I really like it.
As a writer, it's important to stay true to your story without giving a hoot about publishers, critics and readers. You should do your karma as an author the way you want to, and rest is up to God.
Nothing about it interested me. Or about anything else, except making up stories. If literacy weren't so nearly universal, God knows what I'd be. A drain on the State, I shouldn't wonder.
I started on the original comics from Stan Lee and all the artists and storytellers did from there, and I got to the graphic novel that Chris Clairmont did, which is the one Stryker comes from - 'God Loves, Man Kills', which is a brilliant story.
I'm receiving 300 to 500 letters every week from people telling me that God used my stories to save their marriage or to introduce them to Christ or to heal a relationship that had been broken.
Everyone on the Left has a favorite story that allows them to kind of excuse Reagan, explain away Reagan, say he was dumb, but unless we reckon with that kind of emotional intelligence and his ability to kind of speak to the aspirations of the Americ...
My mother always wanted to be an actress. She was an extra in movies and stuff. I have a feeling this is the classic story: The mother wants to be an actress, and the child ends up doing it. But it was never a jealousy thing between us. It was like -...
