A short story is something that you can hold in your mind. You can really analyze how the entire thing works, like a machine.
There's a ton of stories that can come out of L.A. I actually think that even though I enjoy being in New York more, I think that L.A. is a really fascinating place.
The world is so exquisite, with so much love and moral depth, that there is no reason to deceive ourselves with pretty stories for which there's little good evidence.
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I decided I was going to tell these stories. I went around and met Crumb. He was the cartoonist. I started realizing comics weren't just kid stuff.
As long as there are things to wonder about, there are stories to be written about them. That makes me happy, because writing about things seems to be my thing.
If a man's fortune does not fit him, it is like the shoe in the story; if too large it trips him up, if too small it pinches him.
The secret of a successful newspaper is to take one story each day and bang the hell out of it. Give the public what it wants to have and part of what it ought to have whether it wants it or not.
Whether you've done anything wrong or not people will write whatever they want, so it's just a matter of not reading it, not buying into it, and hopefully the people that do read it realise that it's just fictional stories for entertainment.
I just write characters, and somehow they happen to be a boy and a girl. When the story is put together, and their characters interwoven, they do end up together somehow.
I enjoy looking beyond the obvious and look at the stories happening all around me - you kind of formulate things in your mind and get excited about them.
When all your efforts are channeled through a common canal for progress, no condition can alter a single sentence of your success story! Dream it; Drive it; Be in focus!
Loosers want it but only through the easy way. If action taking were like reading a story book, loosers would only love to open the picture pages
I don't really do themes. I might accidentally, but themes are an emergent phenomena of the writing of the book, of just trying to get a story out there.
Oh, you ask me, what is the greatest torture of a person who does portraits for a living? I could fill several volumes with nice nasty stories. I don't know.
Any story hits you harder if the person delivering it doesn't sound like some news robot but in fact sounds like a real person having the reactions a real person would.
Honestly, I am so ignorant of how dance works that I can't even imagine a story that you would want to tell through movement.
The whole atmosphere of the book, the tone of 'The Hobbit,' is of a kid's adventure story, told in the first person by Tolkien, who is introducing young people to the notion of Middle-earth. A lot of it is very light-hearted.
For me, stories are like WD-40 for the brain: they keep all the wheels and gears and clicky-things running smoothly. Without them, cognitive function becomes a bore.
If people are telling you a story about themselves, they gradually map their own local territories and know themselves by them.
Ratings have changed, viewer habits have changed and the options for the audience have grown enormously, but I don't think how you tell a story is fundamentally different.