When I'm writing, I'm thinking about how the songs are going to play live. Fifty bars of rap don't translate onstage. No matter how potent the music, you lose the crowd. They want a hook; they want to sing your stuff back to you.
I met Prince William at a musical festival and he let me know he was a fan of my music. But the invitation to sing at his wedding reception came completely out of the blue. The fact that Kate and William knew the words to my songs was very touching.
Since I met Starsmith, my producer, I really feel like I'm making music because we write it together and produce it together. I've got a proper involvement in the end product as opposed to just writing a song and finding someone else to produce it.
Disco was brand new then and there were a few jocks that had monstrous sound systems but they wouldn't dare play this kind of music. They would never play a record where only two minutes of the song was all it was worth. They wouldn't buy those types...
This music has been around since before the beard on Moses. I happed to do it very well and I happen to have a lot of groovy songs that I know people are going to dig. I know more about it than you do.
You can't make everybody happy. We just put our head down and went forward. We said, 'This music is bigger than all of us.' That's how we felt. We said, 'You know what? We'll prevail. We'll bet on these songs.'
The music kind of possesses me when I sing. So whenever I start to sing on a show - I mean, first, I'm nervous, and then when I get into it, it's just like I feel like I'm the person who sang the song first.
What most people know about me, they know through my music. This time, I've tried to open that door as wide as possible. These songs are a giant step closer to who I really am and what my music is all about. Hence the title.
I have hundreds and hundreds of songs waiting to get on albums, but I don't know about the three-month radio tours and if I'll be interested in that. I haven't figured it out, but I will definitely be doing music, whether it is independent or with a ...
My parents' generation was definitely pre-telly, and they knew how to entertain each other. Everybody knew something that they could do - a song or a poem, or a piece of music. At school, I remember being a cat and then a budgie and then a bumble bee...
There's a variety and depth to the song topics I get to write about in children's music and books: being able to write about things I wouldn't normally write about, like a disappointing pancake, or monsters or opposite day is really different than wr...
I'm a serious aficionada of country music - Reba McEntire, Toby Keith, Montgomery Gentry. I've even written some songs. They haven't done anything of mine yet. But it's only a matter of time.
When playing big festivals, I tend to play big, over the top techno tracks, like hands in the air songs that make sense being played in front of 30,000 people. I steer away from subtlety in the interests of big bombastic dance music.
Growing up, there was only classical music on BBC Radio. We had to listen to the American Forces Network in Germany, which played pop songs, or the pirate radio boats off the coast.
Playing on the streets of Iraq, or in Israel or the Gaza strip, I'd sing angry protest songs against war. People would say, 'Make us clap, make us dance, and laugh and sing.' It really made me think about the importance of happy music.
We have been trying to play a lot of different kinds of music, and probably the next album will go back more towards the direction where you couldn't classify each song as a certain kind of music. This album you can.
I heard Q-Tip on the Jungle Brothers' song 'The Promo.' It was very exciting. It was very new. The music and the culture around hip-hop was evolving. I think there's an emotional quality to their music and there's a vulnerability to the music. For me...
We just sang real simple songs in a simple way that got to people. We didn't try to tart them up with orchestral arrangements and all the stuff. We were all blues fanatics. We like R+B and blues and simple, gut-feeling music.
One of the first places where I started to respond to song lyrics was in reggae music. A lot of what I was responding to were references to the Old Testament. It was not that I had to adapt the lyrics to the sound. Reggae and the Old Testament are bo...
It gets quite difficult for me when I listen to pop music. I don't often understand the words, but when someone translates them to me, I think, 'What is this song representing? That women are just there to be treated like objects?'
I think it's always interesting how music means different things to different people, and people who overthink it are looking to in some ways show off with music, versus people who just respond to a song and decide to sing it.
