If you only do little clusters - three or four songs by one, and another, and then yet another - you lose the opportunity to think your way into the composer's mind, since, after all, most of these pieces are quite brief.
I've always been a fan of melody and emotional melancholy, whether it was Rites of Spring or Tears for Fears or Neil Young. If I hear a song that has a sweet melody, I'm a sucker for it, whether it's Linkin Park or Little Richard.
I used to watch 'Top of the Pops' when I was a kid and say 'Yeah!' or 'Boo!' at every single song. So there was nothing in the middle. You brutally put it on one side or another.
'Chamalkay' is an old Guyanese slang word. It means a 'young mischievous girl.' It's not derogatory, but it isn't over complimentary, either. It was probably a word I just Googled one day, and the song kind of played into the feel of that.
I could stand out front and sing Eagles songs that I sing in my set, but I think people enjoy watching me sing and play the drums. It seems to fascinate people. I don't know why.
Some people buy records just to dance to 'em. Some people buy records to listen to the radio. And there's people that buy records 'cause they listen to every song.
Morning sunrise wakes me up with rays of hope. Clouds of fear can hide the sun but not for long. If rays of hope are strong and patience is a song, then hope will bloom and rain will bring a rainbow.
I am a person who sings. I know not everyone is, but that won't keep the Spirit from putting a song in your heart.
It’s great that a song now costs exactly the same as a pack of gum and lasts exactly the same amount of time before it loses its flavour and you have to spend another buck.
I went to a radio station on Long Island in 1982, and thank goodness for me, it was so new that there was no receptionist. So the DJ opened up his booth, and took my tape and listened to it and thought it was a hit song.
I've been asked over the years to compile a list of desert-island discs. I couldn't do that. If I was trapped on a desert island, I don't think I'd want 10 songs to bring with me.
The title song of David Bowie's 'Young Americans' is one of his handful of classics, a bizarre mixture of social comment, run-on lyric style, English pop and American soul.
Once I got a record contract, and I took my songs which weren't quite finished, or maybe they were a good idea, maybe they weren't. I took them into the studio and developed them. They came to life and they evolved... and they're great.
Jokes rot. They're not like songs. I always envy singers - Sting is always going to sing 'Roxanne'. But people want to hear new jokes. I've written jokes as good as 'Roxanne', I believe. But I can't tell them again.
You have to learn to draw the same emotion you had when you wrote a song every time you perform it. Acting is the same way: You have to find those emotions and bring them to the surface, and then put them back when you're done.
I've had this song in a drawer for a long time, maybe seven or eight years. Every time I'd do an album, I'd take it out and listen to it, and always liked what it had to say. Plus when Garth came in and sang on it, that made it really special.
Louis Armstrong's 'What a Wonderful World' is my ultimate karaoke song. It is a wonderful world. People forget we only have a certain amount of time, and it can all end at any moment. Armstrong and Frank Sinatra's 'My Way' are the ultimate one-two pu...
Often I listen to songs on repeat for days and days at a time. There's something hypnotic or meditative, and it mirrors the way that I am putting the sentence together, going back over the same phrases again and again.
I record stuff all the time, like little vocal things. I write random things down... Sometimes I just get things stuck in my head and I record them, and that actually becomes a song quite a lot of the time.
I'm very motivated by the occasional creative payoff that comes when something goes really well, be it a song, a recording or performance. The payoff is enormous - when you get it. Most of the time, though, I'm filled with self-loathing and general f...
I think a solo moves forward the way a song does, because it's reflective of the chords that I'm considering as I'm soloing, and at the same time I'm going as much out on a limb as Frank Zappa used to, in terms of just going crazy on the instrument.
