Here beneath the towering pines, by the river blue Farragut will ever stand, alma mater true
Every audience is different, even within the same venue. You have to just make every audience your audience; you can't pre-judge an audience based on the size of the room or the type of room.
If I'm in a room full of intense people, I'm pretty normal. If I'm in a room full of people who aren't, maybe I'm intense. I don't know, I don't think of it that way.
Once I'm on set, the only thing I'm really interested in is being in the room. Being present. And trusting that what I've done is sufficient, and I'm also trusting that I've also left room for magic.
I'm not Brad Pitt or George Clooney. Those guys walk into a room and the room changes. I think there's something more... not average, but everyman about me.
Each of us has an inner room where we can visit to be cleansed of fear-based thoughts and feelings. This room, the holy of holies, is a sanctuary of light.
I went to a Cal Tech party after the 'Facebook' movie came out, and there were kids in dark rooms coding because it was cool again. That movie made it cool to sit in a room at a party and write code.
Sometimes you can just not spend that much money or do a minor change with color on a certain room, and it just can open up and brings people a lot of joy. They can go from hating a room or hating a house to loving it.
These rooms are decorated in two days. It's all kept secret. The neighbors spend the night in each other's home. They don't see their finished room until the end of the second day. They have no say what happens in their own home.
Death is no more than passing from one room into another. But there's a difference for me, you know. Because in that other room I shall be able to see.
I have walked away from friendships when I've realized that someone smiles to someone's face and talks about them the minute they walk out of a room. I have no room in my life for that kind of negative energy anymore.
I love 'Somebody to Love' by Queen and of course 'Bohemian Rhapsody' is one of my favorites, just because it makes everyone in the room go crazy. Everyone tries to sing along with it, and half the room gets it right and the other half gets it wrong.
I need to write in a small room - the smaller the better. I can't write in a big room where someone might sneak up behind my back.
There's a picture of my dorm room in the college yearbook as the most messy, most disgusting room on the Harvard campus, where I was an undergraduate.
There's a scary moment when you realise you're no longer the youngest person in the room. Especially if you've been a successful young person. That's followed, of course, by the realisation that you're actually the oldest person in the room.
I remember when we were doing the first Dragon's Lair, I got really involved with coming up with all the little rooms and what was the danger in the room and going into it with bats and spiders and snakes.
Realizing this, I knew that the actual space of a room could be broken down and played with by planting illusions of real light (electric light) at crucial junctures in the room's composition.
We don't intend to always keep this necessarily African oriented. Originally I had hoped to have African American Indian of this area, and the Appalachian of this area, but at the same time, just as we have the Haitian room, we will always have room ...
Room Clerk: Are you here for an affair, sir? Benjamin: What? Room Clerk: The Singleman party, sir? Benjamin: Ah, yes, the Singleman party.
Elizabeth (Liz) Imbrie: What's this room? I've forgotten my compass. Macaulay Connor: I'd say, south-by-southwest parlor-by-living-room.
I think my first big purchase was actually for my mom. She had one of those '90s TVs in her living room that's like a 10x10 brick, so I purchased her a flatscreen for her living room.
