What I've found in my career is that 70 to 75 percent of comics are nice and have some sense of social skills, but there are those who end up in comedy because they don't know how to socialize. I don't want to deal with that group.
The only honest art form is laughter, comedy. You can't fake it...try to fake three laughs in an hour -- ha ha ha ha ha -- they'll take you away, man. You can't.
If I'm really considering doing film from now on then that is the smart thing to do, or you can go either way. You can just do the same character over and over again and make a different comedy like over and over again.
I did six Broadway shows, and I noticed there weren't many female comedians. When I went to a dancing audition, there were 1,000 girls. And there were three jobs. So I said I'll just try comedy. And I loved it.
Comedy, not screaming at someone, can make someone lift their legs higher. There is a way to do a push-up and a sit-up, and it doesn't have to be so complicated. Everyone is putting a difficult twist to it and making you do way too much.
Anyone watching '30 Rock' always knew Tina Fey was playing a fictionalized version of herself, a workaholic comedy writer who also plays one on TV. She's the boss; Liz Lemon just works here.
I was ballet dancing at four, playing piano by six, and doing commercials by 12. When I was 21, I was on the number one live comedy show in Puerto Rico. I told my parents, 'I'm going to New York to become a performer.' And I left.
Mankind is immortal in the comic perspective not by virtue of man's subjugation of nature but by virtue of man's subjection to it. The "fall" in tragedy ends in death; the fall in comedy ends in bed, where, by natures's arithmetic, one and one make a...
After the comedy boom of the '80s, there was a certain formula that comedians had to do and could do in order to be successful touring comedians, and those were mainly observational comedians who had a very strict structure of what made an act, and I...
I'm a huge fan of Jack Lemmon, he was someone who managed to tread that line between comedy and tragedy and sometimes give very big performances, but they were never over-demonstrative and they were never not based on a kind of real truthful human be...
Honestly we never lied to people about who we were. Usually the wackier interviews came to pass because the interview subjects, aware that we were Comedy Central, just wanted to get their stories out.
'District 9', 'Elysium' and 'Chappie' were all born out of some visual concept first. 'Chappie' is the imagery, because I think I'm a visual person first, of this ridiculous robot character. It's much more comedy based and in an unusual setting.
I try to do women's-point-of-view comedy. The joke is, 'This is what I think; there's the truth.' I try to think of stuff that's real broad, but the more personal it is, the more universal it is. All my friends go through the same stuff.
The striking thing about 'New Girl' is that under all the comedy, there's something about the emotions and reactions that feels very real - much more real than other sitcoms. Like - maybe everybody is sort of laid bare in different ways.
Well, it's so cheesy to say but you can't find a comedy director who makes movies for critics. When a movie does $580 million worldwide, I'm not saying that proves anything except people were enjoying the experience.
I did stand-up for a long time, and I did classical theater. As much time as you could spend on a stage will always inform you and your job, as you evolve. I feel the freedom of being able to find comedy in the darkest moments because it makes it way...
I like stand-up. But I'd also like a family and house and a yard. I want to work with a lot of people, have colleagues; and on good film sets, there's people there that work with the same people for years and years. I love that collaborative spirit i...
I use myself as a template for my comedy. So first my background as a Muslim man, my being a doctor, I talk about my family quite a lot, my kids. Anything that resonates with me I talk about. The important thing is it should be able to work in a fami...
About half the scripts sent to me feature characters I just can't identify with, particularly one-dimensional businessmen or, if it's a comedy, some absurd 10-year-old Japanese stereotype, some role related to IT or business... There's no point in ge...
You know what I want? The answer is, I truly don't know what I want. I don't want to do a television series. I want to do dramas as well as comedies, but I have no idea what kind or in what order. Just give me the chance at them.
I came home in the afternoon to sleep, and there was this e-mail from Comedy Central saying they were interested in having me be part of this new show called 'Jump Cuts'! So I called them right away, and the producer started laughing and said, 'We se...
