When you do a drama, you are challenged to trust your inner voice much more. Because when you put a comedy in front of even a 25-person screening, you know whether it's working or not. The barometer is overt.
For some reason, comedy just comes easily to me, and I feel like I can do it. I don't have any doubt. When I work on drama, there's always a sense of 'Did I find this person's truth at the bottom of this?' And it's hard to tell sometimes.
Rupert Pupkin: Why not me? Why not? A guy can get anything he wants as long as he pays the price. What's wrong with that? Stranger things have happened.
For me, comedy is constantly presented as this fake casualness, like a guy just walked on stage going, 'This crazy thing happened to me the other day.' And he's in front of 3000 people, and he's acting like an everyman, and he's getting paid so much ...
There are a lot of comics at the top end making staggering amounts of money and selling out stadiums. I think stand-up is a more intimate thing than that. Maybe because of the kind of comedy I do. It's like a discussion, but I'm the one with the micr...
Comedy is a reflection. We create nothing. We set no styles, no standards. We're reflections. It's a distorted mirror in the fun house. We watch society. As society behaves, then we have the ability to make fun of it.
I think I would love a shot at remaking 'The Philadelphia Story,' as daunting as it is. I still think it's fantastic. I love the '30s comedies because they're allowed to be both comic and elegant, and the women are so complicated in them.
People ask whether I put the politics first, journalism first or the comedy first; it doesn't really matter. I'm just playing with the cards that I have been dealt because I really love doing what I do.
I'm definitely more at ease with comedy - that's where I started out - and so it's my first love, so to speak, and I have more of a sensibility for it and more familiar with it. Having said that, I also want to be open to everything else.
I worked on dramas before, I love sinking my teeth into something dramatic or a period piece, but there's something so fun about doing a comedy. When you go to set and your only job is to make people laugh, there's an unbelievable energy on set.
Yeah, even a black comedy. Where it's a little eerie. I'd love to do that. But there are about three really fabulous ones on the air now and I don't know if I can do any better than that. I'd like to sort of forge new ground.
Kathy Burke has been a real inspiration. I think she's brilliant. I like the fact she doesn't care what she looks like on TV and just gets really into character. Obviously, she can do drama as well, but it's her comedy I love.
I think with drama, at least for me, my process, there's a lot of thought. I do a lot of back story. I listen to a lot of music. I'm very committed to a process when it comes to drama, but with comedy, I think it's really about letting loose.
I listen to very little music, particularly contemporary. If I listen to it, it's going to be my own music, some arrangement or something. I spend so much time listening that the way I relax is by watching things, a comedy; that's my way to wind down...
A movie is painting, it's photography, it's literature - because you have to have the screenplay - it's music. Put a different soundtrack to a comedy and it's a tragedy. A movie combines all those forms and forces you to pay attention for two hours w...
I am so happy because I want more people to like martial arts movie not just martial arts audience. Even martial arts can be used in comedy, in drama, in horror movies, in different kinds of movies.
It's too bad that there aren't as many light comedies around in the movies as there were when I was making pictures like 'The Bachelor and the Bobby-Soxer.' The boys are just not writing them. Many writers are more serious now than they used to be, a...
I think with the success of, like, every summer there has been a couple R-rated comedies that have done so well; I think it is so nice to see that people are turning out to see these movies, and it doesn't seem to be as big a stigma with the studios ...
Comedy is something that I'm definitely looking to get into. I had a little taste of it and I do intend on going to classes for it because I think it's a different muscle, and it's hard to find female comedians.
I don't have anything saying, 'I'm going to do this many new films, and this many comedies.' But, it's always exciting for me, whenever it is a new character and something I haven't done before, and that's part of what draws me to it.
I have found that so many directors and producers in the room say nothing, and this can be deadly. It's very difficult to audition for comedy in the vacuum of a small room, but it's the only way most do it.
