Well, I have since seen you at Tinkle. It's a comedy show started by David Cross, me and Jon Benjamin. It features a wide variety of acts for all tastes and seasons.
At Temple University, and I'm sure this was the way in a lot of film classes, comedy was not an option, and not considered a serious form of expression. You had to make a film about an issue.
For me, comedy literally is way more terrifying than doing drama, so it's always about stretching what I think I can do and putting myself out there in different context.
Obviously neither 'American Idol' nor 'Dancing With the Stars' is a variety show in the classic sense, but the way they incorporate elements of drama, comedy and suspense is moderately ingenious.
Stand-up can take you in so many different places, man. So many doors can be opened up from stand-up comedy, and the first one that was opened up for me was acting.
People need to be peppered or even outraged occasionally. Our national comedy and drama is packed with earthy familiarity and honest vulgarity. Clean vulgarity can be very shocking and that, in my view, gives greater involvement.
It's a comedy thriller, brilliantly written and it's full of twists and turns at every page. When I was reading it I was desperate to get to the end to find out what happens, it really hooks you.
Some people watch comedy to relax. I watch '21 Grams.' I can recognize sadness and tragedy really easily because it's been with me forever.
I think that Canadians have an incredible reverence for authority and regard for authority, and I think one of the healthy ways that it's challenged is through questioning it, through the polite hostility of comedy.
The Comedy Central CDs combined with the TV specials are what led to my stuff being traded and passed around, and a lot more people knowing my jokes than I thought.
The tendency in comedy is to have a character who's stupid get more stupid, because you're trying to top yourself and not just repeat.
Comedy is just to me, maybe it's a natural knack, if I can see where the joke is in the writing and I can see where the setup is and I can tell this is the way to make it.
I think it would be harder for me not to write comedy because the comic view of things is the one that comes most naturally to me.
I came to Vegas because I wanted to, not because I thought it could help my career. I didn't even know they had comedy clubs here.
I can't write a joke. I could never write. I do a lot of stories and I call them stories, but they're just comedy recitals on a given subject.
Working on 'Comedy Bang Bang,' we're there from 10-7, and that's a pretty light day compared to most other TV shows. Other shows, it's like 10-10.
I've always been drawn to discomfort and that limbo of unease you get between comedy and tragedy. Making people laugh one moment and the next making them feel really uncomfortable.
'The Whole Nine Yards' I liked right away. It was kind of a dark comedy at first. And just the idea of being in a movie with Bruce Willis was pretty exciting.
But I find with Francis Bacon, some of the things were in the place, and someone who was connected with these schools of thought, and someone who had a motivation that equals the scope of the comedy and the tragedy in the plays.
I learned that comedy is born out of strong characters. I won't begin writing a character until I have a clear take on them.
I'm not looking to be the King of Comedy, or the King of Hollywood. I just want to be able to keep making stuff that I'm into and have the opportunity to challenge myself with, wearing different hats.
