My dream is not Hollywood, but to perform my act in English to 30 people in a Soho comedy club, to show New Yorkers what they look like from the French point of view.
Stand-up comedy is a very hard thing on the spirit. There are people who transcend it, like Jack Benny and Steve Martin, but in its essence, it's soul-destroying. It tends to turn people into control freaks.
I eventually became an actor, starting with doing stand-up comedy in New York and then theater wherever they would let me. Finally, I moved out here to Los Angeles and got on a show.
There are people who like just ordinary comedy fun, and making mistakes - which I do easily - and then there are people who like the falling over.
Sometimes I think your intellect can get in your way as an actor or an artist. When you come from a world of improv and comedy, you're able to let it flicker and fall out.
The constituents of tragedy may be universally acknowledged, easily invoked and deeply felt, but the elements of comedy are, I think, more widely variable from person to person.
People know me. I'm not going to produce any cartwheels out there. I'm not going to belong on Comedy Central. I'll always be a tennis player, not a celebrity.
Monty Python crowd; half of them came from Cambridge, and half of them came from Oxford. But, there seems to be this jewel, this sort of two headed tradition of doing comedy, of doing sketches, and that kind of thing.
During my theatre days, I was more comfortable doing comedy. It's such an irony. I have always played a buffoon on stage, and yet I don't have any comic role to my credit.
Whether that's an action film or a comedy or a drama or anything in between, I'm willing to prove that I can play with the big boys.
So many of these comics are just frustrated singers or actors - they want to get a gig doing a sitcom. It's paint-by-the-numbers comedy, lame joke-telling. They're drawn to it as a career move.
You don't service a big, fun premise comedy and then shoot yourself in the foot with too much irony. You need the audience to invest in the fun and the warmth and generally care about the characters.
It never really occurs to me that I'm doing cringe comedy. It's something that people tell me afterwards, and I say, 'Again? Really? I never set out with that intention.'
Playing roles that are intense and damaged has always come more easily to me than doing comedies or lighter stuff - that would be taking a huge risk for me.
There are so many ways to do research - even watching old Ealing comedies, watching people getting on and off buses in London, looking at household interiors.
Ever since the first 'American Pie,' I've always been happy to just have an opportunity, I just didn't think it was going to be with comedies. Now I really like it.
Well I think comedy everywhere has lost a bit of its bite. In Canada, I can't argue with the quality, but it feels like it's gotten a little safe.
While awaiting sentencing, I decided to give stand-up comedy a shot. The judge had suggested I get my act together, and I took him seriously.
I find that comedy is my specialty, but drama is slowly starting to move up in that rank. I've always liked playing a character that has depth and that I'm able to bring my own niche to.
I mean, I guess I started during the comedy boom, so it was literally like, on Sunday you could decide you wanted to be a comic, and on Monday, you could be on stage.
People don't understand that that's really what it is. They're looking for a magic phone number or something. And to a certain extent, I understand that, because comedy is treated so much as a stepping stone by a lot of people.
