We are seeing a changed Mumbai, but having showcased Dharavi in 'Slum Dog Millionaire' brought shame and disgrace to our city. Whenever the firangs visit Mumbai, they must visit Dharavi; it has become a sightseeing spot. However, I feel saddened abou...
All I wanted to do when I was a teenager was get dropped off at a radio station - one of the ones I listened to - and watch how the shows worked. After a point it was about showing up and driving people crazy, driving the van to promotions and sneaki...
Of all the stars whom I worked with, I think Steve knew better what worked for him on the screen than any other. He had such a sense of what he could register, and that helped a lot in terms of shaping the character and the script.
A lot of athletes have star quality, but they just can't perform in front of a camera. So no matter how good-looking you are, no matter what kind of presence you have, you still have to be able to be a convincing performer to become a star.
In the studios days, the public's perception of movie stars was much different, because the stars were so much less exposed. This made them seem more special, more unearthly. Today they're no longer perceived as different - they've become human, so t...
For the Oscars, I had a speech in my hand, and I just knew if I opened the piece of paper, I was going to be unable to read it. So I just thought, 'I'm going to say, as coherently as I can, whatever I can.'
I have a slight controversy with the Dogme brethren because I've been saying that rules are to be interpreted; not that I haven't followed the rules, because I don't see the point of submitting yourself to a set of rules if you don't follow them. But...
There's something about seeing a movie that you like, and being able to see the scenes that didn't make it, just as a window into the process of how choices are made and how a movie is made. To me, the idea of getting to have the scenes on the DVD is...
I like contradictions. We have never attained the infinite variety and contradictions that exist in nature. Tomorrow I shall contradict myself. That is the one way I have of asserting my liberty, the real liberty one does not find as a member of soci...
The Boy looked at him for a long time before responding. “Well, as long as you’re my friend, I’ll never ignore you,” he said with conviction. “I know what it’s like to be invisible to other people.
My wife's an architect, so she definitely has a very high-risk artistic profession, and she gets the idea that you're really sensitive, you really care what people think, you have a low threshold for criticism.
I was with Tina Turner when she first saw Janis Joplin, and she said to Janis, 'Honey, you can't continue to sing like that, or you'll have no voice,' and Janis' response was just to laugh and take a swig on her Southern Comfort.
There is something fundamentally fascinating about the mechanics, I guess, of the human body and where consciousness and mind exist, and what you can do with the mechanics of the body while keeping those intact, and where those two cross over.
'District 9', 'Elysium' and 'Chappie' were all born out of some visual concept first. 'Chappie' is the imagery, because I think I'm a visual person first, of this ridiculous robot character. It's much more comedy based and in an unusual setting.
'District 9' was a singular anti-Apartheid metaphor, and 'Elysium' is a more general metaphor about immigration and how the First World and Third World meet. But the thing that I like the most about the metaphor is that it can be scaled to suit almos...
Friends of friends had bands in college or in their early 20s and had a moment where they had some kind of interest from a record label or manager. It's always interesting how people handle those decisions and those moments.
I've always felt some kind of connection to people who are kind of over-smart. People who over-think things to the point of some sort of paralysis, and I think that certainly can be me on any given day.
I really like my first movie a lot, 'Kicking and Screaming.' I think it's a - I'm very pleased and proud of that movie, but it wasn't the - it wasn't 'Citizen Kane' right out of the box, you know? It wasn't 'Sex, Lies and Videotape.'
When I make a movie, I have both a specific and vague, amorphous dream idea of what the movie is going to be. Of course, I don't actually know what it's going to be, but I'm still striving to get to some place with it.
There was a telemarketing job one summer in high school that I was rejected for. I still walk by the building that I actually had the interview in. It's still in New York, and I always think about that job and why I didn't get it.
I really ought to try and make a film that's a bit more cynical. But I don't think I'd know how to do it. I think what it is, is that if you're a film director, you're basically there because you enjoy manipulating people's emotions.