Thus, from admiration of one wise and innocent child, and from a misheard remark, the process that not even Aristotle could codify was triggered. Where do you get your ideas? I purposely mishear things.
Eyes is the attempt to tell the story of the Civil Rights movement and to create an emotional, intellectual constituency. But what do you do after that? The black community doesn't have institutions that pick up such moments and preserve them.
What drives people to public service is a sense of possibility. If you haven't sensed that possibility you don't get started in the same way, you don't feel you can have an impact.
When I was a kid, I loved Nicholas brothers films. It was like skateboarding. Even Gene Kelly: I always preferred him to Fred Astaire, just because he was more athletic, like skateboarding.
Ever since I was little, I would just make stories up in my mind. It was based on people I saw in the street or someone I would talk to, or I would hear a specific voice.
Here's the thing that people don't understand: I don't really care. I've never been a careerist. It's not a strategy. I react to certain characters and story lines and specific mode of filmmaking.
When I'm directing films, I mostly try to create an environment on set that mimics what's in my mind as to the tone and feel of things. I try to create a place where you feel that anything's possible.
If Wagner lived today, he would probably work with film instead of music. He already knew back then that the Great Art Form would include a sort of fourth dimension; it was really film he was talking about.
I came down to the living room one day and my wife was standing in the living room. It wasn't an illusion. I saw her out of the corner of my eye. The moment I saw her, she vanished.
I can't do a film after having debated it. I am unable to do a film while discussing it with my team. I issue directives. I do not achieve it otherwise.
Yeah, there's absolutely. I mean, remember when The Searchers came out, it was a relatively big hit for a Western, and I think it made 5 million bucks - I don't even think it made that.
I think Francis at half form is better than anybody else by 50%, you know? I think it's just that he has never... he has a late pick of the things that are ambitious enough for him.
I have actually been very fortunate to be able to make films on my own credit card without having huge funders behind me dictating how the story should be told.
There are different opinions across the Middle East of Al-Jazeera. They've been kicked out of Egypt and Jordan and then let back in; they've been totally banned from Saudi Arabia, Sudan and Syria.
Reality is a genre that seems to be here to stay. I don't know how many of the new shows will last, but the more competition you have, the harder that pie is to slice up.
Most people I run into say, I haven't missed an episode. Either you like Survivor or you don't, but if you do, you're a loyal viewer.
In Survivor and Finder's Fee, it is about what you would do if you could get away with it. Survivor is about your own integrity and where you draw your own ethical and moral lines. There are no rules.
I just don't want to give out interviews. I just hate them. Inevitably, I ended up hurting some people or leaving some names out or getting quoted out of context.
RoboCop the first movie was fantastic. But even if there was no movie, the concept of RoboCop is brilliant, first because it lends itself to a lot of social criticism, but also because it poses a question, 'When do you lose your humanity?'
But I always reassure them that as far as my contractual rights can go, I will protect them and make sure that they have approval over every bit of it so that they know I won't show something that's embarrassing.
I think it's important for comedians to do our little part. I don't do it carelessly. I do it thoughtfully. I don't try to just shock. I try to make a statement.
