It doesn't matter who started it or what it's really about...war usually ends up sucking most for women. Even when we're not fighting the battles ourselves, we somehow always end up with the lion's share of the suffering.
Richard III is not likeable. Macbeth is not likeable. Hamlet is not likeable. And yet you can't take your eyes off them. I'm far more interested in that than I am in any sort of likeability.
Film is much more visual, a scene is typically a lot shorter, you're dealing with a lot more characters, a lot more locations, and you're able to rely on things that you just can never do on the stage.
You really have to be careful with the clues you lay into the film - if they're too heavy-handed, or you've pandered to a slightly stupider audience, then you've spoiled it for the people who are even slightly smart.
Luckily, I went to school at CalArts, and then ended up here at Disney, starting in the Animation Building and working my way up. I started as an animator, and then did character designing and storyboarding, and eventually, directing.
I could never do a show, or be a personality like Howard Stern, where you take all that heat from critics. What he does, he does, but the critical heat would crucify me.
I'm a big baseball fan, and I feel proprietary about the Dodgers. I'm not the owner. I'm not the manager. But I feel passionate about the decisions that they make, and I take it personally when they make decisions I don't like.
I wanted to make a film about stupid people that was very vulgar and deeply stupid. From that moment on I can hardly be reproached for making a film that is about stupid people.
We have new tools that can give the audience a sense of not only being there, which is the key element in an IMAX film, but also seeing things in a way that they won't see on television or in feature films.
As an audience member, if I go to a film, and I am watching two actors, and they're kissing, and it looks like they don't even want to be kissing, it just takes me out of the film.
I just remember when I came out of film school - and I loved film school - that the industry was such a mystery. How to break in, and once you are in, how to make a film; that is such a large undertaking. There are thousands of pitfalls.
I grew up with white parents, and until after college, it was a lot of confusion, especially because I grew up in an all-white area. So I never looked around and saw anyone who looked like me.
I think over the course of 14 films, I'm returning to a place that I know to tell a story... the same way Spielberg returned to fantasy, Lucas returned to the 'Star Wars' saga, or John Ford returned to the western.
When I was around eight, I learned how to touch-type at school, and I received a computer as a present. I started writing plays, and for many years I thought I would be a playwright.
I think you can do a lot, like describing people with their physical characteristics, things like that, but to me, I've always found it to be a much more informative question to ask somebody what they read.
When I was in my twenties and broke, I'd buy books before food. A meal will sustain you for a few hours, a good book will sustain you for life.
I know he's a good person. And he said he was sorry. And I love him. And when you love a person, you have to forgive him sometimes.
I found myself at dusk in the bewitching Roman city of Jerash with H.M. Queen Rania of Jordan one year, and scrambling with hardened paparazzi to get an image of the Princess of Wales in a tiny Nepalese clinic in the foothills of the Himalayas anothe...
I went to school with a guy named Truxton. He and I played football together, and he knocked me out once because he's bigger and strong than I am.
The truth is Christmas evolved from the Roman holiday Saturnalia, a winter festival where men gave gifts to each other. They also would get drunk, have sex with each other and beat their wives
I can't picture in my mind three hundred and sixty thousand dollars... When I think of it, all I can see in my mind is a big nickel.
