What interests me about genre is that the public connects immediately with it, it has certain rules, certain codes the audience recognizes. I can use that to create something very big.
When things aren't working out, we have a tendency to say, 'Go do other things,' but you shouldn't do other things. You need to stay at your desk and continue to try to write. You need to insist on it.
When Picasso painted in Paris, was he a Spanish or a French painter? It does not matter, he was Picasso, whatever the influences surrounding him. He simply chose Paris because it was the ideal place for him to sell his creation.
The director's who want to be innovative use the DVD as a tool to see what people have done in the past and you have other people who will actually take from better directors and that makes them better directors.
Monofilament is what you use to go fishing. The line on your fishing rod is probably going to be black. You get to the end of the line and you tie on this clear plastic, thin thread called monofilament.
The personality problem is so tough when you're not able to pay people. It's bad enough when you can pay people, but, when you have people working for free, often their motivation is diminished considerably.
At the heart of any successful film is a powerful story. And a story should be just that: a narrative with a beginning, middle, and end, powerful protagonists that audiences can identify with, and a dramatic arc that is able to capture and hold viewe...
I lull them into a false sense of security by watching me pitch... If overconfidence can cause the Roman Empire to fall, I ought to be able to get a ground ball.
I've been telling people 'I'm going to go to California, and I'm going to be a big star' since the womb, but lately it was immediately followed by, 'Would you like soup or salad with that?'
And it really began with Einstein. We attended his lectures. Now the theory of relativity remained - and still remains - only a theory. It has not been proven. But it suggested a completely different picture of the physical world.
Ross Hunter was my assistant on Take Me to Town, He was a young man, an actor before that, and learned a lot on the picture. During shooting, Goldstein left, and Ross was most pleasant. He never interfered.
It was the point where things became much more abstract and less literal than in the bulk of the film, which was hardcore rockets and space and planets - all a fairly straightforward evolution from what I had been doing before.
I must say, I am a 10,000-times better director because I am in therapy. I'm serious. I can understand more the actors. I can manipulate them more easily.
I've been around the surf culture since I was a kid. I grew up in a beach town in Rhode Island. Then eventually I lived in Dana Point, Calif., a real surf hotbed.
In the first place, it's surreal to watch filming, to see the little ideas you had in your head and now Taylor Kitsch is doing it, or Salma Hayek. And then to see it loud and bright onscreen is a trip.
I knew that if it ever got down to a choice between the Party and our traditional democratic structure I would fight the Party and our traditional democratic structure I would fight the Party to the bitter end.
I never really knew that I would be a lifer of strong female characters, but that seems to be the drops I'm being given, and I'm very happy for them. Hopefully, 'Divergent' will be the next thing.
History is gossip that's been legitimized, and that's really the case when you get into some of the Roman historians. Wow! They'd be right at home on reality tv.
If we went back to the imprisonment rate we had in the early '70s, something like four out of five people employed in the prison industry would lose their jobs. That's what you're up against.
I mean, like a lot of kids growing up in the early seventies, I was fed Dr. Kissinger with my Fruit Loops. He was the Dr. Ruth of American foreign policy, and the model statesman.
It was natural to see the struggle for dignity for black people in America as a sister struggle of the Jewish struggle. So growing up, it was always a part of my breakfast cereal to think of myself as someone who was part of a larger struggle.
