I think once we started directing separately - we each have different kinds of interests now, and the kinds of movies we want to do. I wouldn't hold your breath for that one.
Well, honestly, the films I personally like to go see are smaller, more character-driven pieces, so that's why the movies I've made have been smaller, more character-driven movies.
I can't wait for them to convert old movies to 3D. I am 100% confident I want them to convert 'Terminator 2' to 3D more than I want anything in the world.
I've worked on some movies that get put in the horror shelf on the video stores, but they're really structurally like mysteries, and not so dependent on the gore factor, so they really don't need to be R-rated movies.
I got to star in my own movies. I even had my name above the title in some cases. But what am I known for? My bit part.
I consciously decided not to be a 'London' actor. Those gangster movies made a lot of East End actors think they were movie stars. And I was very aware that they were going to go out of fashion.
Do I have to see movies and television about the English throne or the Holocaust every year? There are multiple multi-million dollar movies with the same backdrop. But our Holocaust - meaning Latino - aren't ever told.
Actors used to carry films because people would have to actually go to the movies to see them. It was the only place. But now there's none of that mystique, and so there's less of a reason to buy a ticket.
Had I done the movies that were offered to me in my prime, at the height of my career, I would have been alongside the likes of Denzel Washington. But, I chose not to do those movies.
He's my favorite! He wrote and produced, and starred in and cast all of his movies! Can you imagine? I get really excited when I talk about Charlie Chaplin.
Well, I started thinking about what you were saying about how your movies need to make a profit. Now, what is the one thing, if you put it in a movie, it'll be successful?
My wife says that stage acting is like being on a tightrope with no net, and being in the movies, there is a net - because you stop and go over it again. It's very technical and mechanical. On stage you're on your own.
As an actor, as much as I'm interested in how you make movies and TV shows, even as a kid, I've always hated making of featurettes and special features on DVDs. I think it breaks the spell.
I think the '70s are always inspiring to me. I was born then, so I have a lot of memories about how my parents were and what kinds of movies I was watching.
The reason I took Early Edition - besides the fact that I liked it - was that it enabled me to start a production company in New York City. It's a low-budget film company to produce and direct movies.
I'm an actor. And I guess I've done so many movies I've achieved some high visibility. But a star? I guess I still think of myself as kind of a worker ant.
We're into this barrage of pop culture - you know, TV, movies, the Internet. We become creatures that we've made up, made of certain different flotsam from pop culture and certain different personas that are in style.
How many movies do you see when you can say this director really knew what film he wanted to make? I can count them on the fingers of one hand.
You know, I was a huge fan of comedy and movies and TV growing up, and I was able to memorize and mimic a lot of things, not realizing that that meant I probably wanted to be an actor.
I guess you just feel like there's a whole story that's not being told in movies. You're only seeing the macho guy version of a story that from the woman's side, may be completely different.
I think I took my eye off the ball. From about 2005, 2006, 2007, I was out of it. I thought I could oversee movies and have it done for me, so to speak.
