I've never done it, but I think if you do a Google search for 'People who will help me travel across the country to meet my online love,' I'm probably the only person that comes up.
We really love all sports, but we don't think in the long term. The reason we did Kingpin was because there was a script we really liked and we saw the possibilities.
I've never read 'Pride and Prejudice and Zombies,' although I certainly know what that is. And what I love about that concept is as much as it's a zombie story, it's also 'Pride and Prejudice.'
I love thinking of cartoon characters feeling really real feelings. And I love to do that, not just as a fan, but as a creator, so if people want to look for those levels, they're actually there.
I know, being a father myself, what my interpretation of true love is, or the essence of love, and you can apply it to other things besides human beings.
Is making a movie true love if you're a creative person? It could be. But in my world, the importance of being a father and having kids and knowing that connection is true love. Making a movie is love.
Well, first of all, making films is a collaborative process. You need people. You need people you trust and love and who are your friends. People you can work with.
The most interesting thing to me is that 'The Walking Dead' is a show that reinvents itself every eight episodes. It's an evolving landscape. There are characters that die. There are characters that stay on. There are characters that go away. I love ...
I love the op-ed pages of the 'L.A. Times,' the 'Washington Post' and the 'New York Times.' There's just no substitute for the people who are thinking and writing on those pages.
I was in a band in high school and college and I always had a love for music, but I didn't go to a conservatory or anything like that. I was fairly self-taught.
I always laugh when people call me a misogynist. I... love women! Everything I do is to impress women. And if I hated women, why would half my fans be women?
I like doing movies about personal situations; that's what I love about dealing with things. I don't like superhero things, I like real-people things.
I am a little suspicious of industry paradigms. I feel like so many movies and TV shows feel so familiar because of over-reliance on these paradigms.
With movies, so much of it is, 'Who is the human being that is going to be directing it?' Because it is their medium. In a way, you are serving the director, and when it is someone that you feel you can have a lot of confidence in, it can make a big ...
With 'Girls'... I feel like there's an impulse to try to make it look better or neater or more perfect, and when I watch theater, television, movies, it's always the imperfection I'm always more attracted to.
When I first started writing for television in the seventies and eighties, the Internet didn't exist, and we didn't need to worry about foreign websites illegally distributing the latest TV shows and blockbuster movies online.
Becoming a producer enables you to empower yourself, to make the film that you want to make. I have desires to make movies - I have movies I'm developing, and things that I'm interested in.
I ultimately wanna do big movies, and I've been so close so many times. They keep giving my roles to girls with just a little more exposure than me.
I don't want to speak for my movies; you could say my movies are just completely silly and dumb, but in the case of 'Idiocracy' and 'Borat,' without a doubt there is a really subversive and sophisticated assault on American culture.
Honestly, after about three years on a show, you're like, 'Thank you very much for giving me a step up. Now can I go do movies?'
Everybody knows when you've got a role in a Spike Lee movie, you're gonna blow up. But I happen to be the only person who's had the lead in the two Spike Lee movies nobody saw.
