Choice betrays character,” I said. “That’s not true.” Loring moved his finger along the sheet as if writing his name in cursive. “Eliza, you can’t judge a man solely on his actions. Sometimes actions are nothing more than reactions.
There is the danger of over preparation, of loss of spontaneity; over rehearsal is the most terrible thing you can imagine. We do have a very close association between costume and set designer, though. And the cameraman is very important, of course.
Do I believe in the supernatural? Oh yes, certainly. I can't believe, I can't accept that you die and that's the end. Physically maybe it is a fact. But there's something about the mind that's more than that.
I think people who are compelled to achieve never really think they've achieved... I think the moment you get to a place when you think 'Oh I'm a fashion legend' then that's when you're no longer competitive in your field.
I am actually extremely casual in certain environments. But one of the reasons I like living in London, I like the formality of it, as compared to the formality of America - or informality. I like putting on a suit. I like putting on a tie.
If I'm sending emails, and I get all wound up and stressed and don't know what to do with myself for 20 minutes, I just go soak in hot water and lie there, thinking, 'What should I do?' So it's meditative.
In a crazy world where he would get nominated, I'd like to see Obama run against Herman Cain. That would be fantastic. If Herman Cain became president, there'd be a certain sort of morbid curiosity for me.
Going to Liberia really changed a lot for me. I didn't realize what was happening on the same planet. My understanding that in the world everything is interconnected really grew - to go to one of the poorest countries from one of the richest countrie...
Thousands of people come to LA every year, and some of them just disappear. Somebody gets them. In the States around 100,000 people vanish each year. I don't know what that means. Maybe there's something that just pulls 'em out.
I wanted to make a human monster. His name is Coffin Baby. The idea is based on a group of people from Pasadena whose names I can't mention. His mother died and during the funeral, this baby came out of her in the coffin.
After my grandfather's plane took enemy fire, he was denied permission to land at the first available airstrip. In that classic British bureaucratic way, they said he had to go back to your own airbase in the Midlands. They crashed between the coast ...
What I learned about stammering was that, when as a young child you lose the confidence of anyone who wants to listen to you, you lose confidence in your voice and the right to speech. And a lot of the therapy was saying, 'You have a right to be hear...
Sometimes your body language is enough for an actor to know that you're not happy. And you don't really need to say it out loud if you deal with actors you know very well. And I don't think you really need to be explicit.
There was one thing the experience had taught him. He said he'd learned that when millions of people, a whole political system, countless numbers of citizens who believed in God, said they were going to kill you - just listen to them.
Then none was for a party; Then all were for the state; Then the great man helped the poor, And the poor man loved the great; Then lands were fairly proportioned; Then spoils were fairly sold; The Romans were like brothers In the brave days of old.
Then none was for a party; Then all were for the state; Then the great man helped the poor, And the poor man loved the great: Then lands were fairly portioned; Then spoils were fairly sold: The Romans were like brothers In the brave days of old.
It's pretty easy to make a film in China. A few years ago I just walked into the office and let them know I wanted to make a movie called 'Red Cliff' and they were so excited. They said, 'Let's do it!' It's that simple.
There are a lot of shows that have secrets and string people along and use the secrets of the narrative engine to keep people coming back every week. I don't know if those programs even have an answer. I don't know how they build their shows.
Like many writers, I started by writing short stories. I needed to learn how to write and stories are the most practical way to do this, and less soul-destroying than working your way through a lengthy novel and then discovering it's rubbish.
A novel and its writer are inseparable: you are your books. A play's not like that at all. 'Abandonment's not mine - it's everyone's. I wanted it to be a co-operative thing because I was tired of that anal control that I have over novels.
I can understand why some of these drummers and bass players become cult figures with all of their equipment and the incredible amount of technique they have. But there's very little that I think satisfies you intellectually or emotionally.
