I've been meaning to write about the Rolling Stones, but I am the furthest thing from a hipster rock journalist.
Whether it's a blatant homage or unconscious mimicry, the Rolling Stones have permanently, indelibly influenced how rock stars look and behave.
In the early '70s, I started to feel like Philadelphia soul was the black-sheep brother of rock and roll. I decided to try to get away from it.
A lot of people ask me why I don't expand and explore other musical areas, but I like the plain three- and four-chord rock-and-roll that I call the the semi-blues.
The Rolling Stones set the bar to where I look to as a band. But I don't envision myself touring in the way they do. My knees won't hold out.
I wanted to play rock and roll when I started playing. Nobody at that time ever thought about songwriting. You sang songs, that's all. You sang other people's songs. That's all there were.
Roy Lee: Let them have outer space. We got rock 'n' roll.
Mick Shrimpton: As long as there's, you know, sex and drugs, I can do without the rock and roll.
I didn't plan on rock-n-roll. I wanted to learn jazz; I got to know some people doing rock-n-roll with jazz, and I thought I could make some money playing music.
What are the symbols of American strength, wealth, power and modernity? Certainly not jazz and rock and roll, not chewing-gum or hamburgers, Broadway or Hollywood. It's their skyscrapers. Their Pentagon. Their science. Their technology.
That's what Kiss is all about - not just music, but entertainment, y'know? We're there to take you away from your problems, and rock and roll all night and party every day for those two hours you're at the concert.
I didn't want to be told what to do. I don't want to water down my music to fit into their formats. I know what rock and roll is to me, but everything's turning into one big commercial.
There's no way I can compete with someone who can write rap or rock and roll. Nor do I wish to. But I've always kept up to date with music changes. I worked very hard not to type myself.
Rock n' Roll came from the slaves singing gospel in the fields. Their lives were hell and they used music to lift out of it, to take them away. That's what rock n' roll should do - take you to a better place.
I'm a big fan of gospel music, and you cannot be a fan of rock and roll, you cannot be a fan of country western music, and you can't really be a fan of jazz without listening to a lot of music that's religious.
I felt that the elegance of pop music was that it was reflective: we were holding up a mirror to our audience and reflecting them philosophically and spiritually, rather than just reflecting society or something called 'rock and roll.'
Music, Rock and Roll music especially, is such a generational thing. Each generation must have their own music, I had my own in my generation, you have yours, everyone I know has their own generation.
My all-time favorite rock and roll players were Scotty Moore, Chuck Berry and Franny Beecher, and I listened to the country playing of Merle Travis.
My first real writing job was at 'Rolling Stone,' so I wrote about rock-and-roll and politics and the like. At the time, I really didn't know what I wanted to write, and I did a bunch of investigative journalism.
If you live in rock and roll, as I do, you see the reality of sex, of male lust and women being aroused by male lust. It attracts women. It doesn't repel them.
The Metaphoton is a web of energy fields or complexes - having three hierarchical complexes called the light complex, mind complex and spirit complex.
