You can admire people for sure, and they're worth admiring, but you need to find that special thing about yourself. It takes working hard, getting the technique, and learning to sing and all that stuff, but the master class is about bringing yourself...
It has to be a very specific role for me because of my accent. I can't complain; I've been working since I got to LA. But it is hard. I have no training as an actress so I try whatever I do like school, because I'm learning.
The role of the musician is to go from concept to full execution. Put another way, it's to go from understanding the content of something to really learning how to communicate it and make sure it's well-received and lives in somebody else.
One of these days in the next 10 years, I will play 'Evita.' I don't know when or where, but I love 'Evita', especially with all my Latin and Spanish studies. It's a very demanding role but I'd love to play it.
I'd love to remain a secret and still work, but I also want people to see the movies I'm in and get a higher profile because of that. I like to think that as long as you continue choosing diverse roles, you can avoid becoming predictable.
I'd love to play a femme fatale in a film noir. I'm thinking of one of those roles that Lauren Bacall or Bette Davis might have played. What I wouldn't like is to suddenly find myself being cast, as many senior actresses seem to be, as the abbess in ...
He wasn't really Method but he believed that when you did a role there were lots of things you could do with your co-star in order to create the right environment. You known, if you were supposed to be in love, to create that feeling between the two ...
I work a lot; I love to compose, ponder, and take notes when preparing for a role. I cut all the scenes, collate the images, form the character and shape its personality, then I make meticulous notes and transcribe each scene on my notebook.
The performances that I love are ones like Gena Rowlands in 'A Woman Under the Influence,' where women are allowed to be messy and imperfect. It's that kind of woman that has always inspired me to seek roles that are a little out of the box. I just h...
I think what's so interesting for me is the different roles that I play. I love doing the research, and I love - I feel fortunate in the sense that I get to explore many different worlds, of things that I may not really get to learn a lot about.
I like a role that is challenging. That's what I look for and I'm certainly always looking to move further and maybe push myself into a place that might be temporarily uncomfortable so that I might learn something.
Some say that to believe in destiny is to dismiss the role of free will. That self-determination cannot prevail in the presence of fate. When the truth is, the only part of destiny we can control is the fate we choose for another.
I did a movie called 'The Savages' with Laura Linney and Phillip Seymour Hoffman, where I played a nurse, and it showed me in a different role from what I played on 'The Wire.' It showed my range as an actor.
I started singing for The Phantom in January, and we started filming in October and I sang all the way through to the next June. In fact, I was singing for about two months before I even knew I had the role.
As a result we are more and more directing the desires of men to something which does not exist -- making the role of the eye in sexuality more and more important and at the same time making its demands more and more impossible.
The thought of playing a New York detective scared the hell out of me. I didn't know if people would believe me in the role just because of my physicality, which made me want to do it even more.
I don't condemn anyone for making their choices. If someone chooses those roles, fine. But not for me. When someone stops me and says, You're the reason I became an actress, that lets me know I made the right decision.
Thinking about your role will automatically get you in the frame of mind to get your strategy and game plan right before you step onto that field.
One of the most deadly causes of destruction of divine destinies is when a leader is failing, but he or she does not know it. Ignorance about your role is a death plot against people's successes.
I always wanted to be in this role, as a songwriter. In the Pumpkins, it was always impossible because Corgan would wake up and write five songs. He was so prolific, there wasn't a lot of room for anyone else.
It was a terrible blow that was dealt when I was fired from 'Saturday Night Live', but I have to say that a few doors opened right away. Movie roles started to roll in, and pretty soon, I was over it.
