I'm an artist. And usually when I tell people I'm an artist, they just look at me and say, 'Do you paint?' or 'What kind of medium do you work in?'
I think if you touch ordinary people, they're simply ordinary people, the way they've always been. They work hard, they don't have really as much as they should.
What does the artist do? He draws connections. He ties the invisible threads between things. He dives into history, be it the history of mankind, the geological history of the Earth or the beginning and end of the manifest cosmos.
Whether being battered by the surf or swimming through the gentle undulating surface of lakes, I find inspiration in the movement of water. Sometimes I think about the journey the water has traveled, reconnecting me to the larger cycles of nature.
Men who have reached and passed 45, have a look as if waiting for the secret of the other world, and as if they were perfectly sure of having found out the secret of this.
A Crow is known wherever he is met by his beautiful white dress, and his tall and elegant figure; the greater part of the men being six feet high.
Halfway through any work, one is often tempted to go off on a tangent. Once you have yielded, you will be tempted to yield again and again... Finally, you would only produce something hybrid.
I do everything. Of course, I have 50 people who work for me to do the drudgery of mold making and all the foundry. This is an enormous task. But every stroke in these sculptures is from my hands.
In the 7th grade, I made a 20-foot long mural of the Lewis and Clark Trail while we were studying that in history because I knew I wasn't going to be able to spit back the names and the dates and all that stuff on a test.
The Jackal: How many know about this? Col. Rodin: Just the four of us. The Jackal: Let's keep it that way. This job depends on absolute secrecy.
Once I began to hear and pay attention to my fledgling ideas, the biggest hurdle was to learn how to respect them. That was hard, because the real way to respect an idea is to invest the attention and work needed to develop it.
I have, for many years past, contemplated the noble races of red men who are now spread over these trackless forests and boundless prairies, melting away at the approach of civilization.
When we see men of worth, we should think of equalling them; when we see men of a contrary character, we should turn inward and examine ourselves.
Yes, people do come across the street to say hi, but as they approach and get near, my perception of space begins to dissolve, and a new interest takes over that is primarily emotional, and with it comes a desire to touch, which may be a human intere...
I think my attitudes about the past are very traditional. You can't ignore history; you can't escape it even if you want to. You might as well know where you come from, and you might as well know that everything has been done in some shape or form.
I can be fascinated with very little things. The clouds stimulate my imagination, and sometimes I just sit somewhere and go on dreaming for a long time. Your head is also a computer. When you're dreaming, you are simulating a world in which you are l...
In one aspect, my works record the history of the development of Chinese society. Concern about the situation of Chinese reality is one important theme of my works. I am trying to ask, 'How does our society develop? What are the problems in our socie...
Charity work is very important to me and gives me an opportunity to give back to my community. I've always been a big supporter of many different charities, have donated millions of dollars to them, and it just feels great to do and be able to help o...
I think the Netherlands will become one big city at a point. It is inevitable when you live in a country with so many people. You cannot afford to leave nature as it is. Some people believe that the dunes should be left in their original state, but I...
Early on I saw the plastic quality in colored people and had friends among them; and later was to work from colored models and friends, including Paul Robeson, whose splendid head I worked from in New York. I tried to draw Chinamen in their quarter, ...
Col. Rodin: There's nothing more you want from us. From now on you'll be working completely alone. The Jackal: Not completely. One will have the cooperation of de Gaulle. [the OAS members look astonished] The Jackal: Well, he won't listen to his secr...
