Individual science fiction stories may seem as trivial as ever to the blinder critics and philosophers of today - but the core of science fiction, its essence has become crucial to our salvation if we are to be saved at all.
Perfect as the wing of a bird may be, it will never enable the bird to fly if unsupported by the air. Facts are the air of science. Without them a man of science can never rise.
I get offered a lot of science fiction work and there is a new project in the pipeline called Master Race, set in World War II, but that's a little way off yet.
Everything is becoming science fiction. From the margins of an almost invisible literature has sprung the intact reality of the 20th century.
No one who has understood even a fraction of what science has told us about the universe can fail to be in awe of both the cosmos and of science.
I don't really consider my work, on the whole, 'fringe' in my own mind; science fiction and fantasy have been pretty solidly in the mainstream for a while.
Physiology is the science which treats of the properties of organic bodies, animal and vegetable, of the phenomena they present, and of the laws which govern their actions. Inorganic substances are the objects of other sciences, - physics and chemist...
When I accepted the commission, I had something of an epiphany in the research I did about the agency, actually the science of espionage. I realized there is a connection between the sciences and the invisible forces of man.
I'm a science fiction geek from birth - that's just who I am.
Mythology and science both extend the scope of human beings. Like science and technology, mythology, as we shall see, is not about opting out of this world, but about enabling us to live more intensely within it.
The 1970s were so wonderful for women writers. There were all these women, and they were seen as doing the most interesting, innovative and exciting stuff in science fiction. I was inspired by that.
All the pictures I do are contemporary. I've sort of discovered I haven't really been into science fiction or period pictures. And so, in that vein, psychological thrillers play a big part.
In general, I write for ages 12 and up - although I've received emails from readers between the ages of seven and seventy. My books are science fiction.
There is an ever-widening gap between what science allows and what we should actually do. There are many doors science can open that should be kept closed, on prudential or ethical grounds.
There are checks and balances in science. There's somebody checking the people doing the science, and then there's somebody who checks the checkers and somebody who checks the checker's checkers.
I like working closely with artists. I think that's very important in fantasy and science fiction - the visual aspect of the worlds and the characters.
As a citizen, as a public scientist, I can tell you that Einstein essentially overturned a so strongly established paradigm of science, whereas Darwin didn't really overturn a science paradigm.
I can't tell you how many people say they were turned off from science because of a science teacher that completely sucked out all the inspiration and enthusiasm they had for the course.
No one was going to stop me from writing and no one had to really guide me towards science fiction. It was natural, really, that I would take that interest.
There is an anti-science by the far right. We have to be careful that the far left doesn't balance this with a naive approach of promising what we can't deliver. I mean, science is neutral; it's not politically conservative or liberal.
The entire Internet, as well as the types of devices represented by the desktop computer, the laptop computer, the iPhone, the iPod, and the iPad, are a continuing inescapable embarrassment to science fiction, and an object lesson in the fallibility ...
