There were a lot of people dreaming about making films, and they would finance maybe 6 films a year. Because they were funded by the government, the films sort-of had to deal with serious social issues - and, as a result, nobody went to see those fil...
'Blanche' opened a new door for me without really making me more famous. 'Blanche' was a risk, but that is the only thing that excites me in this profession. The knowledge that I am an actress who takes risks lifts my soul.
We all sort of do want incentives for creative people to still exist at a certain level. You know, maybe rock stars shouldn't make as much; who knows? But you want as much creativity to take place in the future as took place in the past.
When I started out, everyone seemed to be adopting these names... Johnny Rotten, Sid Vicious. I wasn't really Rotten or Vicious or Nasty, so I wanted something a bit more funny - yet something that seemed real rock 'n' roll... something that acknowle...
You know, fame is a funny thing, man, especially, you know, actors, musicians, rappers, rock singers, it's kind of a lifestyle and it's easy to get caught up in it - you go to bars, you go to clubs, everyone's doing a certain thing... It's tough.
I have a crush on Steve Tyler. He's funny, he rocks, and has a voice like a god. There is another one who I have discovered can sing. I should try and make an album with him... it's Barack Obama!
It's funny; we never had anything like credibility. Even though we all have some sort of punk-rock background, but so what? I really don't care about that. What's credibility anyway? Who has credibility?
You know, he's a bit of a rock star, but I think he's consciously learnt how to make people feel comfortable around him. Because otherwise, how could anyone act opposite him? The whole time you'd be thinking, 'My god, it's Johnny Depp!'
The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story's going to end and how it's going to go. But on television nobody knows what's going to happ...
'Beyond the Lights' was my fourth film. I gained a lot of knowledge, and I'm excited to share that with young filmmakers because I know how lost I was coming out of film school with that question of 'What's next?'
I am not a member of any organization listed by the Attorney General as subversive. In any instance where I lent my name in the past, it was certainly without knowledge that such an organization was subversive. I have always been essentially and fore...
You can go to the Internet and know more than your mom in two seconds. It's crazy how fast teenagers have knowledge and information these days. So, I think it's harder to say, 'Your father and I know more than you.'
I began to pick apart our knowledge of Frankenstein and discovered that the public's idea of this myth comes from a million different places... I became committed to recontextualizing it all so it all worked in one story.
The first time that I came to New York to work properly was the mid-'80s, but I was doing eight shows a week. You have no life. Going to a punk rock club - or whatever the music was at that time - would not have been on my agenda.
We do care about planets like the Earth because by now we understood that life as a chemical system really needs a smaller planet with water and with rocks and with a lot of complex chemistry to originate, to emerge, to survive.
I've been obsessed with seeing life through music. My records, my relationship with records, my relationship with rock stars, everything that surrounds it, has been really one of the only ways that I ever started to understand the world.
Obviously I've had this fascination with aristocracy my whole life. Like, the kings and queens of 500 years ago... they're like rock stars. If there was a 'TMZ' 500 years ago, it would be about, like, Henry VIII and Marie Antoinette and all those peo...
I grew up loving classic rock music - The Beatles, The Rolling Stones - and then one day I heard 'Baby One More Time' on the radio and I thought 'What is this?' I was eight and it changed my life.
If you see a whole thing - it seems that it's always beautiful. Planets, lives... But up close a world's all dirt and rocks. And day to day, life's a hard job, you get tired, you lose the pattern.
And 'Sex & Drugs & Rock & Roll' was a very transitional film for me in that I was one of the producers and you know, came up with the idea with the writer and the producer, as well. But, it was a very collaborative event. You know, I really love work...
I'm primarily thought of as a rocker, and certainly 'Frankenstein' had a very dramatic power rock image. It was almost a precursor of heavy metal and fusion. But I also love jazz and classical and if there's one common thread that runs through all my...
