Hi, I am Matt Bellamy and I am in a band called Muse and we play Music
You make one solo album, and some people swear you're about to leave the band or there are creative differences.
I played guitar in a band from when I was about 20 for three years. Then I sang a little. Then I started getting really busy as an actor and forgot about it.
HBO churn out some unbelievable stuff. They really got me with things like 'Band of Brothers.' But you can't beat 'The Sopranos.'
I was a lumberjack for years, a pub bouncer, I've sung in a band; in fact, I still sing, and I even trained myself to be a tree surgeon.
I don't think I'm an entertainer. I never think, 'Wow, I can't wait to get the crowd moving.' Some of my favorite bands never moved an inch.
I was a storyteller for The Band. It was never, 'Hey guys, here's a song about what happened to me.' I was always more comfortable writing fiction.
I feel so lucky to have been in a group where it was a real band. This wasn't a singer and guitar player and some other guys.
L.A. interests me, the whole band scene and relaxed carefree feel, but it does not mean you have to dress like a hippy.
Being a songwriter does not rely on an audience or other band members or a camera. I can just sit in a room and write songs.
Mick says, Would you join the band? I say to him, Mick, you know I'd be there in a New York minute.
The band cannot sign to another label or even put out its own material unless they are released from their agreement, which never happens.
Make no mistake about it: once a band has signed a letter of intent, they will either eventually sign a contract that suits the label or they will be destroyed.
People are disappointed when they hear my American accent because they regard 'The Police' as an English band but I've clung to my American-ness all the way.
If you wish to know how libertarians regard the State and any of its acts, simply think of the State as a criminal band, and all of the libertarian attitudes will logically fall into place.
When we started the band, it was because we were waiting for a sound that never happened. We got tired of waiting, and we decided to just do it ourselves.
See, I never wrote arrangements for the band for Judy Garland; I did strictly special material, special lyrics, put together all of her medleys.
When I was a kid I never learned to play. I actually got in bands through watching people play and copying them.
Usually I can hear the pianos, the saxophone, and usually I can hear Ronnie. But I really need to listen to Keith and Mick. The rest of the band is sort of an embellishment to that.
My first place in Nashville was like 'Animal House.' The whole band lived under one roof, and most nights the jam sessions ended close to sunrise.
Obviously the biggest change is that it's me by myself. When you don't have another band interpreting your songs or playing them the way that they have, it's bound to sound different.
