I was raised on a little farm about 12 miles out of Portsmouth, Ohio.
I started late. I didn't make my first movie until I was 40.
I'm not a method actor, but I'm a big research kind of actor.
I was supposed to be on the Tonight Show but I broke my shoulder instead.
A little bit of gratuitous violence in a well-thought-out story is fine.
I started working on trying to sound like June from the very beginning.
The greatest hits in some weird way marks the end of something.
It's fun to play the character and then watch him later.
I think comedians see themselves as people among people.
As you get to thirty, the main thing is to not be sensible.
It's not what I do, but the way I do it. It's not what I say, but the way I say it.
I used to watch all my friends play with G.I. Joes. I couldn't afford them.
Manhattan is so tailored. It's driven by appealing to the very wealthy and tourists.
I didn't train in directing; I talk to actors the way I talk to anybody.
I'm always looking for overlooked post-Dylan singer-songwriter records from the '70s.
You can be aware that something is idiosyncratic, and give it to a character, but keep doing it.
Something like The Haunting is not worth the slightest consideration from me.
At the same time, as you know, unless you are a comic book reader, Daredevil is not a known thing.
Having two kids, I don't get out to see stand up much anymore.
Surely the job of fiction is to actually tell the truth. It's a paradox that's at the heart of any kind of storytelling.
I'd say that all nations have contact with the truth, and all religions have admirable people.
