When you cast, you can't cast only visually; you have to cast emotionally, too.
When I was in middle school, I liked to make cartoons.
I like not to feel that all my eggs are in one basket, or I get nervous.
Anybody who is a fan of any team is going to recognize themselves in this.
I got lost a lot, and I was a really bad waitress... I got lost on the subway.
If I need something, even a pair of socks, my assistant has to get them for me.
Model. Two mobile eyes in a mobile head, itself on a mobile body.
Now I'm instantly nervous about the demands of doing a weekly column.
For me, with me, making a film is always about humanity.
I grew up in the countryside in the middle of nowhere in England and got out as soon as I could!
I learned a lot about how to shoot and how to put together sequences.
That picture has become a sort of yardstick for everything else I've done.
I came from a communist country where there are no luxury cars.
I have my mother's hips. The minute I eat it, it ends up on my hips.
Eventually, the tribe developed so much confidence in me that they invited me to be their chieftain.
To me, an Oscar movie has to have some type of emotional pull.
If I can make a living as a writer, I can do anything.
'Thelma & Louise' really hit a nerve, and I loved that movie.
I've always liked the minds of criminals, they seem similar to artists.
Everyone is encouraged to see their lives, the world through the eyes of the rich.
I worked offshore as an oil worker for a couple of years.
