I went to a college in New York called New Paltz. I studied theater there for four years. I also studied privately in NYC with a teacher named Robert X. Modica.
I must have got my detailed, obsessive streak from my father, who was an English teacher, because my mother wasn't like me at all.
When I was 14 or 15, our teacher introduced us to Dickens' 'A Tale of Two Cities.' It was just for entertainment - we read it aloud - and all of a sudden it became a treasure.
Every man who rises above the common level has received two educations: the first from his teachers; the second, more personal and important, from himself.
I have always admired teachers because teaching, like the priesthood, medicine and writing, is a vocation. You don't become a teacher because you want wealth. It is the same with writing.
My joke is that my father was a minister and my mother was an English teacher, so I'm trained to see the world in terms of symbols, which is hard when you just want to make toast.
As a teacher I realize that what one learns in school doesn't serve for very much at all, that the only thing one can really learn is self-understanding, and this is something that can't be taught.
I remember I used to come up to my teacher crying because I couldn't read. She would say: 'You can do this. You just don't want to do this.'
I wonder if liberal kids call liberal talk shows and ask how to get along in a conservative teacher's class? No. No. It doesn't happen, 'cause there's no thought of getting along.
As a teacher, I've never seen anything like 'Harry Potter.' That's why I smart when people talk about the 'next' 'Harry Potter.' There is no 'next' 'Harry Potter.'
My grandfather on my mother's side was a professor of mechanical engineering at the Massachusetts Institute of Technology; my other grandfather was a lawyer, and one time Speaker of the Tennessee House of Representatives.
I don't try to show off technology in my work. The technology is a means to tell stories, so I think conversations about my work can be had by very large audiences.
I love or hate things straight away. I like to go directly to action to see the result. I think I must be difficult, but at the same time, it's not for me to say.
I was the lead in 'Interview With The Vampire', until Tom Cruise decided he was interested. I was in 'The Wings Of The Dove' with Uma Thurman, until that got cancelled. I was in 'Shakespeare In Love' with Julia Roberts, until that fell apart.
Science is like a love affair with nature; an elusive, tantalising mistress. It has all the turbulence, twists and turns of romantic love, but that's part of the game.
One of my biggest personal holdings is Rotana. That company has a very dominant force in the Middle East. It has around 45% of all the movie industry and around 75% of all the music.
The countdown reached ten seconds and I could almost hear an invisible crescendo of stirring background music. 'Anchors aweigh!' Five, four, three, two, one... and we had ignition!
I defied the machinery to make me its slave. Its incessant discords could not drown the music of my thoughts if I would let them fly high enough.
From my time in 'King Crimson,' I'd describe a Progressive band as one that keeps trying to break musical barriers, and keeps trying to do new music.
I think America is really in denial about the degree to which residents, particularly foreign medical graduates, man the county hospitals of this country, and but for their services, I'm not sure how exactly we could manage.
Accountants, machinists, medical technicians, even software writers that write the software for 'machines' are being displaced without upscaled replacement jobs. Retrain, rehire into higher paying and value-added jobs? That may be the political myth ...