Movements are like rivers. Dipping into them is never the same twice.
There's this perception sometimes around here that I'm this Hollywood guy.
When I run in Ethiopia, I look out and see eucalyptus trees and rivers.
I'm a very soft-spoken person. I don't throw furniture. I don't throw tantrums.
I'm very conscious of other people's opinions and of people not liking me.
If there's anything that is the center of my career both creatively and emotionally, it's the Olympics.
In many ways, not fitting in has been a comedic asset and a comedic resource.
Whenever you're in any acting role you are mortgaging your own character.
The BBC produces wonderful programmes; it also produces a load of old rubbish.
It is easy enough to hold an opinion, but rather more testing to act on it.
You have to be damn certain you're putting something better in its place.
Preserving a river or a creek can bring a lot of revenue.
The Zambesi is a big river; there's no crocodiles on 4 Mile Run.
I'm so bored of all these girls who have written about 20 books by the time they're 25.
And getting married this autumn was certainly an additional incentive to spend rather more time in England.
I'd done an Edinburgh show before, in 1981, called 'The Importance of Being Varnished' - I was in the pun trade at the time.
I'm very lucky, because my beat is current events. And events are changing all the time.
A lot of Thanksgiving days have been ruined by not carving the turkey in the kitchen.
I have nothing against turkey. We eat turkey for Thanksgiving in my house.
My cooking is so bad my kids thought Thanksgiving was to commemorate Pearl Harbor.
Not to sound too much like Christopher Guest in 'Waiting for Guffman,' but on Thanksgiving you're putting on a show!