I've never been adamant about joining Twitter; I have nothing against it; I'm not one of those people who hates Twitter. I think it's great for what it is, but right now - I don't know. I just like to keep the mystery.
For me, documentary photography has always come with great responsibility. Not just to tell the story honestly and with empathy, but also to make sure the right people hear it. When you photograph somebody who is in pain or discomfort, they trust you...
One day, right after my mastectomy, I went for a walk in Central Park, and there was this mob of people blocking the road. I thought, 'Oh, great, now I'm stuck!' but then I suddenly realized that it was a breast cancer walk.
One thing I can say right off the bat is that creating great editorial is a huge challenge, and you can't help but go through the process and not appreciate how valuable this skill is, and how much I admire the people who do this every day.
I think people instinctively know that their job is to give service and that they are part of a community. It had a great impact on me when my father walked the picket lines and I walked with him during the civil rights movement.
My parents always encouraged me and I had a good home life. We were always taught to respect things and other people. It's so different today, because children are just not taught the right way.
A lot of people felt I was getting work because I was Boy George. My response at the time was that there's a lot of DJs making records, they're not all making good records, but they have the right to do that.
I don't want to write any more screenplays, I'll tell you that right now. It's a waste of time. You've got too many people who think they have the answer to a good screenplay and they don't. No one knows.
As a southerner born after the epic events of the civil rights movement, I've always wondered how on earth people of good will could have conceivably lived with Jim Crow - with the daily degradations, the lynchings in plain sight, and, as the movemen...
The very paradigm of revolution, of right versus wrong, good versus bad, is a relic with no bearing on the present. Yet artists, exhibitions, and curators valorize the sixties. People who wrote about these artists 30 years ago still write about them ...
I want to do everything right now! This very minute. I am impatient, but yes I have goals. To be a real well-respected actress whom people know they can rely on to do a good job... whether they like me as a person or not!
I try to tell a story that's good enough to win the right to integrate eternal themes into it. If it's poorly written or comes across as a sermon, then obviously you don't reach people, because they're aware that you're imposing something on a story ...
'Orphan Black' allows for people to have debates and theories and allegiances to different characters - to trust characters and hate other characters - but it doesn't tell you who is good or bad or right or wrong. That's the most exciting storytellin...
I believe that people who do not vote in this country have no right to complain about the government that we are now living under. By the same token, if you don't really vote in television, you're never going to have your way. Write a letter to the p...
If the chemistry is right between star and photographer and the geometry of the pictures pleases the star, often the two people end up with a long-term professional friendship during which they continue to work together and to produce highly personal...
People come in and out of our lives, and the true test of friendship is whether you can pick back up right where you left off the last time you saw each other.
When I'm living in the world of luxury and celebrity, which is where I found myself for a large part of my life, it's a walk-on part. Not a vital necessity, like it is for so many people. I enjoy it but I can see right through it!
You simply cannot do a sitcom by committee. It will not work. You've got to have one or two clean, creative voices in charge, and there's got to be some faith by the studio and network in those people to make the right choices.
I think one of the big issues with, you know, people who have strong faith in addition to competing is that conflict between accepting things the way they are, and wanting to compete and get better, and at what point are you in the right balance.
It's funny, because '1600 Penn' was the first time I really started to read the reviews, because I am an executive producer and I wanted to see what people were enjoying and not enjoying as a means to an end, right?
I respect all religions, but I'm not a deeply religious person. But I try and live life in the right way, respecting other people. I wasn't brought up in a religious way, but I believe there's something out there that looks after you.
