Perhaps they thought I was on a fact-finding mission, never for one moment thinking that a man of my age and build could be suffering from bulimia nervosa, but that's what the consultant said I had.
From the age of three to 15, I wanted to be a ballerina and trained really, really hard. Then I had that classic movie story moment, where I had an injury and had to give up my dream.
It was at this moment that I wrote my first important paper in theoretical physics. I was 32 years old, 5 years beyond the alleged age of senility for theorists.
Perhaps he wanted to be alone with Dr. G., who was here, but he should have let me know. At Hoffmann's I felt I was sitting on hot coals, expecting him to arrive every moment.
In New York one lives in the moment rather more than Socrates advised, so that at a party or alone in your room it will always be difficult to guess at the long term worth of anything.
Experiencing those moments of being alone... is a very, very weird flooring and exposing position to be in when you're just not used to it... But I've never been lonely. And with my kids Mia and Joe that remains the case.
Marvin's Motivational Moments actually started as something that was actually therapeutic for me. I would sit up late at night after my wife passed trying to adjust to being alone.
We're born alone, we live alone, we die alone. Only through our love and friendship can we create the illusion for the moment that we're not alone.
Although I managed my schedule to be home by late afternoon most days, basically, Roselle raised our children alone. And so I missed out on a lot of wonderful moments, missed watching my kids grow into the wonderful people they are today.
I'm not very good at relaxing. Reading's the main thing. On the bus, on the tube, on the loo. Literally all the time. I mean, I don't think there's a moment of the day when I wouldn't be if I was left alone.
One of the most amazing things I got from the film, so much green screen, there are so many moments and it really taught me about how important it is to have an intention when flying, when going somewhere and having an intention.
I think it is such an amazing moment when people realize what they are and what they can be, and they start putting themselves out into the world. I think you can see it in people when it's happening. They look different.
The Olympic Gold medal in 1968 was definitely the highest moment of my career. It was a dream come true. I was a 19-year-old boy, and it was just amazing to be standing on top of the podium and hearing the National Anthem in the background.
When you really study espionage movies, or spy movies, the beginnings are really set up to have, like, an amazing bit of action, but at the moment you're watching it, you have no idea why or what it's about.
It's amazing the things that you cry at. I cry when I smell my son's hair in the morning. We have a moment of peace and I'll be like, 'Ahhhh! How can you love this much?'
A million words were going through my head and honestly I didn't say one of them. I wanted to let it sit, simmer, you know I wanted to soak it all in - the moment was amazing.
I have not lost faith in God. I have moments of anger and protest. Sometimes I've been closer to him for that reason.
I mean, making art is about objectifying your experience of the world, transforming the flow of moments into something visual, or textual, or musical, whatever. Art creates a kind of commentary.
Out with stereotypes, feminism proclaims. But stereotypes are the west's stunning sexual personae, the vehicles of art's assault against nature. The moment there is imagination, there is myth.
I can remember the moment when I suddenly felt that the camera was a living partner. I suddenly felt this is art, and the camera is a co-operative living person. After that I was extremely happy to act in films.
What lists and awards don't measure - and I feel this strongly - is the lasting value of any work of art. They're a snapshot of a moment, and one should always consider their judgments in that context.
