Jack: Rose, you're no picnic, all right? You're a spoiled little brat, even, but under that, you're the most amazingly, astounding, wonderful girl, woman that I've ever known... Rose: Jack, I... Jack: No, let me try and get this out. You're ama- I'm ...
Harvey Pekar: What movie could be worth driving 260 miles round trip for? Toby Radloff: It's a new film called Revenge of the Nerds. It's about a group of nerd college students who are being picked on all the time by the jocks. So they decide to take...
Danny Archer: Don't worry, we'll be fine, huh? [pause] Danny Archer: Listen, you take off, soon as I'm out the door, you don't land until I raise you on the set front. [Danny gets off the helicopter] Nabil: You be careful, Danny! Danny Archer: Don't ...
A hero is someone right who doesn't change.
There is no right in acting.
There are three things that a man must know to survive in this world: what is too much for him, what is too little, and what is just right.
The basic idea is that all things in the universe are intertwined.
There s a difference between being in love and being in love with the idea of love.
(One resists the invasion of armies; one does not resist the invasion of ideas.)
At beyond continent of reality, there are oceans of ideas.
All ideas come about through some sort of observation. It sparks an attitude; some object or emotion causes a reaction in the other person.
I remember being in Hollywood at the age of 16 and marveling at the stars. The idea of being part of it never entered my mind. It was too far-fetched.
The second thing for me, probably a few clicks down, is the idea that The Sims smoothly age and have different concerns and motivations and needs at different age ranges.
I try to push ideas away, and the ones that will not leave me alone are the ones that ultimately end up happening.
I stumbled on a joke idea and style that worked, the audience went with it and, from that moment on, I was hooked. It's an amazing feeling.
Magic's an art where you use slight of hand or illusion to create wonder. And I was just intrigued with that idea.
In Europe, there is so much tradition, and everyone has established ideas as to what art should be and what it has always been.
I grew up in the heat of '70s postmodern fiction and post-Godard films, and there was this idea that what mattered was the theory or meta in art.
I was not interested in irony; I wanted to emphasize the primacy of the idea in making art.
I am particularly interested in creating a relationship between ideas of reception in conceptual art and theater.
I think long-lasting, healthy relationships are more important than the idea of marriage. At the root of every successful marriage is a strong partnership.
