I write about personal experiences. I write about things that have happened to me and the people around me, so you just sort of keep this antenna up and on the lookout for things to say.
For me, writing isn't about money and fame. It's about passion, an art form that I want to share with the world, expand the horizons to new worlds, new experiences, and new adventures.
Yet if I was asked to do this again - in fact, if I was ever asked to repeat any of my experiences - I'd have to say, fuck it, bring them on. I've no regrets. This is what it means to be alive.
Tokyo - still - offers the most tightly integrated infrastructure, where smooth, technology-driven experiences take place when engaging in everyday actions, such as verifying personal identity, paying for goods, and buying tickets.
I think you can do something bad, and it doesn't make you a bad person. We are not defined by any one choice. We are the sum of our experiences, and we can make a bad choice and turn around and do better.
To me, history ought to be a source of pleasure. It isn't just part of our civic responsibility. To me, it's an enlargement of the experience of being alive, just the way literature or art or music is." [ ; NEH 2003 Jefferson Lecturer interview profi...
When a writer is able to experience the whole range of human emotions, from deep depressions to glorious highs, it creates a whole inventory of feelings and musings from which they can choose and infuse into their words and characters.
If you don't have your experiences in the moment, if you gloss them over with jokes or zoom past them, you end up with curiously dispassionate memories.
Virtual simulations allow post-traumatic stress disorder sufferers to re-experience the events that traumatized them, and then slowly desensitize themselves to their impact through repeated recreations involving not just sight and sound but even smel...
Once we are able to combine a feeling of empathy for others with a profound understanding of the suffering they experience, we become able to generate genuine compassion for them. We must work at this continually.
There is a saying in Tibetan, 'Tragedy should be utilized as a source of strength.' No matter what sort of difficulties, how painful experience is, if we lose our hope, that's our real disaster.
Anarchism is not a romantic fable but the hardheaded realization, based on five thousand years of experience, that we cannot entrust the management of our lives to kings, priests, politicians, generals, and county commissioners.
What does literature do better than anything else? It provides a detailed representation of the inner experience of being alive in a given time and place.
Blessing is essentially the transformative experience of knowing and honoring God as the Giver; it means valuing the steady flow that sustains the world even above the gift of life that each of us receives and is in time constrained to relinquish.
To live without zest is to live without an appetite for new experiences, to miss out on the spice, the juice, the edge that makes life thrilling. It is to live with deadened, flattened senses, with your passions unaroused and your curiosity untapped.
Human beings had two basic orientations: HAVING and BEING HAVING: seeks to acquire, posses things even people BEING: focuses on the experience; exchanging, engaging, sharing with other people
Imagination? It is the one thing beside honesty that a good writer must have. The more he learns from experience the more he can imagine.
I've had various experiences where I've been called by Hollywood studios to look at a script or comment on various scientific ideas that they're trying to inject into a story.
Doing everything with one arm, being well-known, and having a book and a movie, it's fairly abnormal. As far as just not having to worry about past experiences, I've healed very well.
Most people bought the corporate party line. Experience and wisdom needed to make way for youth and beauty. The more people consumed, the better off was the economy. Newer. Bigger. Brighter. These were the things sought.
I'm not really frightened by experimenting - that's the main thing. I really like mixing very old beautiful pieces that are from thrift shops or that have some historical value with quite new futuristic things.
