I read cover to cover every jazz publication that I could and in the New York Times, every single day reading their jazz reviews even though I didn't put them in the films. I wanted to know what is going on.
I never read reviews - I never have. I've never read message boards, either. I'm just not interested in it in any way - I'm not interested in it inflating my ego, and I'm not interested in it improving my self-worth. So, I don't read them.
I think being a woman and writing frankly about violence has gotten me some attention, and as someone who wants people to read my books, I can't complain about that attention, but it does puzzle me that this is something reviewers focus on.
The minimum wage now in our country, I think we've set that, so there are a lot of people have benefited from it in our country, but I think we ought to review how much it ought to be, and whether or not we ought to have increases in the minimum wage...
I did a play once where a reviewer said, 'Martin Freeman's too nice to play a bad guy.' And I thought: 'Well, bad guys aren't always bad guys, you know?' When I see someone play the obvious villain, I know it's false.
President Obama has decided to have the United Nations review the law of Arizona. You have got to be kidding! We're now going to have countries like Cuba, Libya and Uganda sitting in judgment on Arizona's laws? Enough is enough!
I'm at the point now where I know I'm doing something right when a movie gets mixed reviews, because then I'm not in the box. I don't want to make it too easy for people and I don't want to make it too easy for myself. I want to try something unusual...
Reviewing the record of American intervention in Indochina in the Pentagon Papers, one cannot fail to be struck by the continuity of basic assumptions from one administration to the next. Never has there been the slightest deviation from the principl...
But it has also enabled me to find my feet as a lecturer and a reader of my own plays to audiences who like to hear them; and that experience of immediate appreciation gives greater pleasure and more stimulus towards further activity than even the mo...
I grew up in a working-class Catholic family in south Louisiana. I went to a state university. I taught literature, wrote a novel that was the novel I wanted to write, and got a couple of good reviews but no real traction. I had no idea how to get a ...
My friends and family have been so well trained that they know I really mean it when I say that I don't care if the review is good, because that can be as dangerous as when it's bad. It's less demoralizing, but it can be just as confusing.
We need to do a top/bottom review of the federal government and for every agency administration bureaucracy that is not called for in the United States Constitution, we have to really ask the question what is its purpose, how many people work there, ...
I never really think about what people are going to think of the movie afterwards. Or what people are going to call me. I just want to make a great project, and my focus is really all on that. And then I really don't read reviews. Like, you know, go ...
Even your most talented employees have room for growth in some area, and you're doing your employee a disservice if the sum of your review is: 'You're great!' No matter how talented the employee, think of ways he could grow towards the position he mi...
I spent a good deal of time going back over my childhood, my midlife, to try to understand who I was. We're supposed to be complete and whole, and you can't be whole if you're trying to be perfect. Doing a life review helped me get over the disease t...
I did a lot of serious plays, and I did the Oxford Review as well, which is supposed to be funny, but I'm not sure how funny we were when we did it. Then, when I finished my course, it was only then that I decided to go to drama school and try and do...
You still get these waves of doubt that come over you, for example, when you get a bad review or you accept a part and think, 'Oh, God, what have I just accepted? I can't do that.' I don't think that's something that will ever go away in me.
I think people ease into this careerist professionalism, so if you're a writer it's your job to manufacture books as opposed to writing them and to go to festivals and spend your life emotionally invested in reviews or the awards. You have to shrink ...
I'd been writing poems for many years, but most of them I didn't like. Then, when I was 23, I wrote one I did like, sent it to 'The Paris Review' - the highest publication I could think of - and they accepted it. No other moment in my literary life h...
Horror. I can't manage it. I become--well--horrified. Self-help books have a similar effect. When asked, "Any literary genre you simply can't be bothered with?" - (By the Book: Writers on Literature and the Literary Life from the NYT Book Review, by ...
I was afraid the other musicians might want to present themselves too much, though I see in the coverage I've received of the album that the musicians got wonderful reviews for their contributions and abilities. I think the four musicians played free...